Hi
Just an update.
I have tried using the RCA 6SN7 GT Grey Glass in the balanced input buffer positions with a quad of the stock EH in the positive and negative, left and right gain positions. This made the treble warmer and filled out the midrange - but probably a wee bit too much as some vocals got a bit chesty. I am guessing if I used RCA's all throughout it may be too much of a good thing. Using the stock EH in the balanced input buffer postions and a quad of RCA 6SN7 GT Grey Glass in the positive and negative, left and right gain positions did not do much to tame the bright treble - I am guessing the phase gain positions do not have as much of an impact as the balanced input positions(?).
I am trying to get a quad of early Sylvania 6SN7 GT's which are Chrome Domes but of the same construction as the 6SN7W's with black plates - has anyone heard these and how do you think they will sound with the RCA's in the balanced input buffer?
Just an update.
I have tried using the RCA 6SN7 GT Grey Glass in the balanced input buffer positions with a quad of the stock EH in the positive and negative, left and right gain positions. This made the treble warmer and filled out the midrange - but probably a wee bit too much as some vocals got a bit chesty. I am guessing if I used RCA's all throughout it may be too much of a good thing. Using the stock EH in the balanced input buffer postions and a quad of RCA 6SN7 GT Grey Glass in the positive and negative, left and right gain positions did not do much to tame the bright treble - I am guessing the phase gain positions do not have as much of an impact as the balanced input positions(?).
I am trying to get a quad of early Sylvania 6SN7 GT's which are Chrome Domes but of the same construction as the 6SN7W's with black plates - has anyone heard these and how do you think they will sound with the RCA's in the balanced input buffer?