Spectron Musician III MK.2 or Audio Research DS450

Audiozen
All you did is recite the the press on the Merrill Audio website. YOU make a BIG assumption that is all there is too it.

Why is it you do not make the same claims and statements for the Acoustic Imagery NC1200 based amps and the Mola-Mola M1. Their press tells you even less of what is in their amps.

No company HAS to list ALL of their assembly.

Again you single out Veritas without ever hearing it and take things out of context to be bias. You also compare an older design of Hypex that Genesis used, the UCD, to the NCore NC1200. They may be similar but the UCD responds well to being highly customized while the Ncore does not. Also the Genesis Monos only sounded best with all the extras and sold for a lot more then the Veritas. And again if the Veritas sounds better then the older Genesis...What is your point. The better sound WINS!

How many Hypex Ncore NC1200 based amps are FOR SALE RIGHT NOW. Two! And in the spring the Mol-Mola M1 for 50% more then the other two.

Also earlier you said how Bill said the D-Sonic blew all the other Class D amps away and now the Ncore 1200 is the best he has heard. And you had nothing but disdain for the Mola-Mola for their pricing because there is nothing to their design and in the chases. You seem to want it both ways when it suits you.
I am tired of your baiting and nonsensical postings.
I am sure you will post some other remarks.

Hifial..you got lost and need to put your glasses back on. Nowhere at any time did I state anywhere in this entire thread that Bill Parish said that the D-sonic blew all the other Class-D amps away. I stated Dennis Deacon's comments
comparing his SOA Class-D Core amps to others. The technical upgrades I mentioned are a combination of whats described on the Merrill site and the many emails of technical details I received from Merrill back in November.
Merrill also offered me to Rep his product and he would pay
me $ 100.00 per listening session to any potential buyer. You must've accepted that offer since your replies sound like hard sell. Besides, I'm getting sick and tired of Audiophiles in the States constantly defending European designers as superior to American designers. What a load of crap. America and Japan still make the best designed and best sounding Audio gear on the planet and our Audio design engineers in the States are second to none.

One important technical item..Dennis Deacon with D-Sonic, in our conversation this past Sunday, explained the technical reason why he dumped the B&O ICE amps, is that their is a flaw with B&O ICE and other Class-D amps in the upper mid-range and high frequencies, that they have feed back problems in those upper bands which can compromise smoothness and greater weight in those areas, which is why
some Class-D amps can sound dry, cool, and slightly hard in the upper frequencies. Dennis claims that the new SOA Class-D core amps he's using with his own mod's added, have zero feedback through the entire frequency spectrum
which is why he states, as well as 6Moons, that his amps come closer to tube amps then other Class-D amps on the market resulting in a more refined and smoother high frequency and mid-range frequency performance. I assume that Hypex has addressed this problem with
Bruno's new SMPS 1200 amp, which has positive results. If the new SOA core amp from D-Sonic sounds as good and performs as well as Dennis and 6Moons claims, then its a no brainer to go for
the SOA core amp over Hypex since the cost is 80% less.

I heard the new NAD digital amp and was surprised just how good it sounded...I'm stickin with Class A/High Current designs however. Based on what I hear today, the 90's were "The Golden Years of High Fidelity"...gear does not sound more musical today than it did back then and it often sounds worse:)

Dave b_your right about that. My first amp back in the 70's
was the Sansui AU7900 integrated at 75 watts per channel. One of the finest sounding amps I ever owned. Had it hooked
up to a large pair of Advents and a Dual 701 turntable with
a Shure V15 cartridge. Warm, rich, lush sound with a full mid-range. Ran very hot. You could fry an egg on the back.
The rise of the digital age changed the sonic character forever of high end separates. I would say the late 70's was the golden years of high fidelity. With half speed
cut master vinyl records from Mobile Fidelity and Telarc, and advanced improvements in cartridges and turntables and cables. It was the peak of true analog.