Setonaudio, not sure I fully understand your post. I agree that audio engineers fix the stereo perspective and wet/dry balance of mixes and that there are now devices/processors available to the listener that can further manipulate these elements. My point about QOL being an M/S processor is that it allows comparisons to other M/S processors regarding effectiveness and value. For instance, the SPL M/S Master offers studio quality performance and control flexibility for approximately $2,000. At the other end of the price spectrum is the $50 PSP SterePack DSP plug-ins. Is the QOL better than these other products? I have no idea. But at least interested people can make a comparison without being held back by the idea that what the QOL accomplishes is only available from BSG.
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- 270 posts total
- 270 posts total