Jazzerdave, if the QOL technology were implemented inside another component then one would have to approach the entirety of the device's sound. That would make it harder to isolate and discuss, but also might mask it.
In the end if QOL were a feature of another component it would have to be assessed like any other component, head to head with some other reference.
Would I listen to it again if it were incorporated into components. Absolutely. Who can say what would transpire on a venture to merge it with other devices? I'd be game to hear it. QOL may end up most powerfully utilized to elevate lower end electronics. If it could be leveraged to lift the performance of an entire field of Mid to Lower HiFi gear - not mentioning the separate component - it would be a powerful boon to the hobby.
Dolby was very powerful in concept and application, and I enjoyed it immensely in recording music. The QOL has potential to alter the listening experience in a pleasing fashion as well, so I don't think it's a throw away idea.
Now that I've started I may as well add...
I see no correlation between QOL and devices like the A.R.T. system and Lessloss Blackbody. I would recommend the latter for a trial but not the former products, certainly not for someone who wishes serious changes in a rig.
If by "system-dependent" it is meant that the QOL doesn't sound good with all music or all components - surprise, surprise. Most components don't. It takes a radically good device to sound superb with nearly everything it's mated with. However, I think of system-dependent more as operational limitations, i.e. flea amp mismatched with low effic. speakers. The QOL seemed consistent in operation in rigs I built both before and after preamp, with SS and tube amps, and with dynamic and ESL speakers.
In no way would I suggest the QOL fixes room issues. As the community can guess I'm not overwhelmed with most room correction devices for similar reasons as my reaction to QOL. I would not see QOL as a "room fixer" component.
I have to leave this topic; waaaay too much to do!
In the end if QOL were a feature of another component it would have to be assessed like any other component, head to head with some other reference.
Would I listen to it again if it were incorporated into components. Absolutely. Who can say what would transpire on a venture to merge it with other devices? I'd be game to hear it. QOL may end up most powerfully utilized to elevate lower end electronics. If it could be leveraged to lift the performance of an entire field of Mid to Lower HiFi gear - not mentioning the separate component - it would be a powerful boon to the hobby.
Dolby was very powerful in concept and application, and I enjoyed it immensely in recording music. The QOL has potential to alter the listening experience in a pleasing fashion as well, so I don't think it's a throw away idea.
Now that I've started I may as well add...
I see no correlation between QOL and devices like the A.R.T. system and Lessloss Blackbody. I would recommend the latter for a trial but not the former products, certainly not for someone who wishes serious changes in a rig.
If by "system-dependent" it is meant that the QOL doesn't sound good with all music or all components - surprise, surprise. Most components don't. It takes a radically good device to sound superb with nearly everything it's mated with. However, I think of system-dependent more as operational limitations, i.e. flea amp mismatched with low effic. speakers. The QOL seemed consistent in operation in rigs I built both before and after preamp, with SS and tube amps, and with dynamic and ESL speakers.
In no way would I suggest the QOL fixes room issues. As the community can guess I'm not overwhelmed with most room correction devices for similar reasons as my reaction to QOL. I would not see QOL as a "room fixer" component.
I have to leave this topic; waaaay too much to do!