Preamp Deal of the Century


If anyone is looking for a true "World Class" preamp at a very fair price..heed my advice. I just recieved a Supratek Syrah preamp that was hand built by Mick Maloney in Western Australia, and it is absolutely beautiful! This preamp is the best deal you will ever find. I would put it up against any preamp out there for both looks and sound. Price? $2500 for the Syrah (includes Killer Phono stage). Not into phono? Try the Chardonney line stage for $2100. Don't get me wrong, I am not associated with this company. I am just a very happy owner! This preamp is VERY dynamic, yet liquid. It conveys the sound of music better than any other preamp that I have ever heard! You can check out the Supratek website at www. cantech.net.au
slowhand
Thanks Ecclectique. You're probably aware that Roger Modjeski uses the 6BQ7 as the driver for the Music Reference RM-200, and he has been quoted as saying that you can drop in a 6922 as a sub in that application. I want to preserve the finesse of the Supratek down the chain, so I'm looking for NOS in that driver position. I'm all too aware that substitutions are not necessarily transitive (i.e., sub a 6N23EV for 6922 and a 6922 for a 6BQ7 doesn't necessarily imply subing a 6N23EV for a 6BQ7, but ... ).

P.S. Finally got around to dropping in 6F6G's in place of the 1940's Sylvania 6L6GA's as regulators in the Supratek. It's too early to site differences, but certainly an excellent tube in that position.
Hi Rabelais. I have always been a fan of Roger Modjeski's progressive vacuum tube design, he has always been a pioneer in the audio industry. If memory serves, Modjeski was the first audio engineer to employ the 6dj8/6922 dual triode in an audio circuit and bring it to market. Infact...from it's inception, the 6922/6dj8 was never really designed for use in audio amplification as it was primarily used in early vacuum tubed computers.In those days, the 12ax7 and 12at7 dual triodes were the audio industry's standard tube, and they were employed for gain in line stages as well as phono stages.At the time...With the rapidly growing popularity of the extremely low output Moving Coil cartridges[typically below .5mv] It was quickly realized that the gain of the 12au7 family of tubes was inadequate for driving these cartridges without experiencing tube rush or noise. Roger was instrumental in implementing the higher gain of the 6922 family of tubes in audio circuits and almost every company in the high end industry followed suit and embraced the use of that tube. That said: I wasn't aware you could swap the 6bq7 driver for a 6922, as they are really quite different electrically. Unless he has configured the driver stage of the amplifier to use the tube in a cascaded type configuration or unity gain,then perhaps you could sub it[but why?] Do "NOT" try substituting a 6bq7 for the 6922 in your supratek as your just asking for trouble here!!! Trust me here.... even if it will amplify the signal, it will surely sound wrong. The same goes for any other amp or preamp employing a 6922 for amplifying the signal. Regarding the 6f6g's in the supratek.... if they are new right out of the box..... give em 20 to 30 hours of run in time to come into their own. The early 1940's Sylvania 6L6g's are very good regulators in the supratek [bottle shaped versions]and great sounding output tubes as well.