Bandwidth question?


I am interested in the qualitative difference in sound betw amplifiers that have -3db roll off at 100khz vs -3db at 300khz. Thru the amps I have tried, I suspect increased bandwidth has more openness and transparency and hence a better sense of space sharing. At the same time, it is easier to screw up the sound due to noise (from components/AC/RF) or improper cartridge loading. I am not very certain of the correlation and interested in what you guys think?

In reviewing the measurement sections of stereophile, many amps with -3db at 100khz demonstrate subtle rounding of the edges when reproducing 10khz square waves. I don't listen to square wave so I don't know what that translate into.

I realize that some amps (Spectral or Soulutions) has very high bandwidth (MegaHz) to implement negative feedabck. I am not refering to that.
128x128glai

So what is your concern? Do you feel like you are missing something in the high end? Air, space around instruments? Not always the amplifiers fault. A super tweeter might resolve issues.

There is a good article on wide bandwidth here:

http://wilson-benesch.com/downloads/whitepapers/Wilson_Benesch_ACTC60_Loudspeaker_White_Paper.pdf
So far I've not seen this mentioned yet, IMO this is one of the most important reasons to have some bandwidth:

Phase shift accompanies bandwidth limitations. In general, you can expect phase shift components to manifest to 1/10th the upper cutoff frequency, so if the amp cuts off (begins its rolloff) at 50KHz we will hear artifacts announcing that at only 5KHz.

This is true on the bottom end as well, phase artifacts will be heard at 10X the cutoff frequency, so a 20KHz rolloff will have artifacts up to 2KHz.

A premature HF rolloff will indeed manifest to our ears as a darkness or slowness in the amp at high frequencies. Oddly, if the rolloff is severe, it can have a brightness and a darkness at the same time! Phase shift can have a pronounced effect on the amp's ability to portray an accurate soundstage as well.

An LF rolloff is heard as a lack of impact. So yes, 2Hz is the minimum cutoff frequency if you want the bass to play right.

The fact that a speaker does not have this sort of bandwidth really does not seem to be relevant- you can hear these artifacts easily despite a lack of bandwidth in the speaker.

Excessive bandwidth on the high end can lead to RF problems. If the amplifier is capable of amplifying broadcast frequencies, you can expect to fry a lot of tweeters. You can also expect the amp to run hot, in the case of transistors. It is for this latter reason that many SS amps are bandwidth limited. It is for the former reason that we limit the bandwidth in our amps (our output section goes well into the megahertz region). Another reason to limit bandwidth is that if the amp is amplifying an out-of-band signal, it can gooble up power that might otherwise be used to drive the speaker with music.

Finally, if you have too much bandwidth you do run the risk of stability. This is particularly true if the amp runs feedback (ours get the bandwidth without feedback, BTW). Due to propagation delay times in the amp, negative feedback can become positive feedback if the frequency gets too high! For this reason feedback loops have to be handled with extreme care by the designer to prevent oscillation (heck, you *always* have to be careful with that anyway), as super HF bandwidth is tricky- you don't want the amp to have a reputation for blowing up, or blowing up speakers!
Down 3db at 100khz or 300khz is insignifcant. Down 3db is good in that it is designed to reduce oscilation tendencies. At what power is the amp rated at, what is the power output at max or rated power vs. Frequency response and distortion. Measure all at 1wpc and full smoke. Key is the square wave at 10hz. If it deforms, notches or rounds off investigate. I have seen highly rated 100wpc monoblocks that roll off 10db at 20khz, and roll down15db at 50hz. And the square wave was rounding severely at 60hz. They were also voted "best of show".....likely not the product consumers get. I never liked the sound myself of the consumer product. A soft bass confirmed with a bench test, revealed a compromised product. Quality transformers are found with music reference, Quicksilver, EAR, conrad johnson, ARC, and others, but there is junk out there as well....beware jallen
Many thanks for all the responses. To be specific, I am not interested in debating the human hearing bandwidth. Mine is 25hz to 17khz.

I am interested in the how the ultrasonic bandwidth impacts the reproduction of audible frequencies. Many responses have pointed out phase issues, noises (or ultrasonic noise modifying how a component behaves in the audible freqs.)These are very helpful to me. I also realize that bandwidth for amp is dependent on load and output.

Ralph,

Why 10 times the audbile bandwidth is neccessary. A lot of amps are -3db at 100khz. This means faithful playback up to only 10khz, if you are correct.