Preamp Deal of the Century


If anyone is looking for a true "World Class" preamp at a very fair price..heed my advice. I just recieved a Supratek Syrah preamp that was hand built by Mick Maloney in Western Australia, and it is absolutely beautiful! This preamp is the best deal you will ever find. I would put it up against any preamp out there for both looks and sound. Price? $2500 for the Syrah (includes Killer Phono stage). Not into phono? Try the Chardonney line stage for $2100. Don't get me wrong, I am not associated with this company. I am just a very happy owner! This preamp is VERY dynamic, yet liquid. It conveys the sound of music better than any other preamp that I have ever heard! You can check out the Supratek website at www. cantech.net.au
slowhand
Hi all,
thanks Slowhand for the pointer re the Bendix.
What I'm confused about is the 6106/5Y3WGT directly heated, like the Tungsol or is it indirectly heated ala the Mazda ?
Sorry for being thick but I'm new to tubes and really don't want to go pulling them in & out all the time.
I'm amazed that the rectifier makes such a difference - any other pres I've had were untroubled as long as the rectifier was functional but the line stage tubes made readily obvious differences to the sound.
Thanks Simon
You guys may think I'm nuts, but I just recently purchased a low-noise pair of EH 6SN7's to try on a lark. One of my '52 Syl "Bad Boys" that I had in place was spitting (it cleared up fortunately).

I have another pair of '52 Syls and two pair of Ken Rads, plus a pair of Tung Sol Round Plates on the way, but I was just curious about the EH 6SN7's.

Well, after about 30 hours of burn-in, I swear, I think they are better than the '52 Syls or the Ken Rads (at least in my system). Excellent, tight bass, liquid mid-range and extened, grain-free highs and very detailed.

I was expecting them to have sub-par bass and to be somewhat etched with grainy highs. Wrong on all counts.

I remember a long time ago, soon after I got my Supratek, I posted an opinion that the rectifier and the regulators have a much greater affect on the sound than the 6SN7's. I am still convinced of that.

I think the EH's are better than the '52 Syls or the Ken Rads, but only slightly so. I have to listen really critically to determine a difference. Time will tell about the Tung Sols, but I know I won't be buying anymore NOS 6SN7's for my Supratek any time soon.

You guys can all jump in and tell me I am crazy now, but that's the way I hear it.
Fiddler,

Thanks for the report. Is it the Gold or the regular black base EH-6SN7?

I am in your camp also. After trying Sylvania 6F6G's, GEC KT-66, Gold Lion KT-66, RCA 6L6GC Black Plates, and Tungsol 5881, to my ears the Sovtek KT-66 is the better tube. I tried it after reading a post here that Mick recommended it to an owner. The tubes takes a while to settle (50 to 100 hours maybe) but when it does, they are beautiful regulators on my Chenin.

I will order the EH as soon as I see your response.

Thanks again!
Amandarae,

They are the regular black base.

I know they make a gold "pin" version, but I have heard that the gold pins are actually the "standard version" with the pins just painted gold. After inserting the pins into a tube socket once, the gold is supposedly scraped off.

I purchased the tubes from Upscale Audio. I paid for the "Private Reserve" (which might be complete BS), but they are very quiet at the moment. Only $10 more per tube for the "Private Reserve", so why not?

http://www.upscaleaudio.com/product.asp?itemid=53&catid=46

Let me know your impressions. I will be very curious.

I am stunned at how good this pair sounds in my Supratek. Assuming they hold up, as I said before, I have purchased my last pair of NOS 6SN7's. (Well, I haven't heard the Tung Sols yet.)