Thanks so much for taking the time for such a detailed and inciteful response.
Two things -- I do enjoy playing music very loud at times. For some music, such as feeling all and especially the base pedal notes on a good recording of Bach's Tocatta and Fuge in D Minor, emotion sometimes overrides my good judgement on the volume control. This loud playing is more the exception rather than the rule, though. Second, I do not have an issue with the music filling up the room with my current amplification. I am looking to upgrade in an effort to improve the sound quality and hopefully improve the sound stage by obtaining a higher quality amp as well as the advantages afforded by monoblocks.
I must certainly audition the Ayre monoblocks, and hopefully compare to, let's say, a Krell amp. I unfortunately live in a fairly small coastal town, but I will make every effort to get a proper comparison to hear what you have explained so eloquently above (not always easy without my travel to another city). I agree that the Dyn Temptations are very revealing, and one thing I enjoy over and over in my listening, is to hear the cross melodies of the various parts of a symphony orchestra.
Thanks for your persective. I do happen to err on the side of excess, but will definitely take my time to make the correct amp selection.
I am drawn to all items that claim "it allows the music through" without coloring or altering the original sound. I am guessing from your comments that the zero feedback accomplishes this.
Two things -- I do enjoy playing music very loud at times. For some music, such as feeling all and especially the base pedal notes on a good recording of Bach's Tocatta and Fuge in D Minor, emotion sometimes overrides my good judgement on the volume control. This loud playing is more the exception rather than the rule, though. Second, I do not have an issue with the music filling up the room with my current amplification. I am looking to upgrade in an effort to improve the sound quality and hopefully improve the sound stage by obtaining a higher quality amp as well as the advantages afforded by monoblocks.
I must certainly audition the Ayre monoblocks, and hopefully compare to, let's say, a Krell amp. I unfortunately live in a fairly small coastal town, but I will make every effort to get a proper comparison to hear what you have explained so eloquently above (not always easy without my travel to another city). I agree that the Dyn Temptations are very revealing, and one thing I enjoy over and over in my listening, is to hear the cross melodies of the various parts of a symphony orchestra.
Thanks for your persective. I do happen to err on the side of excess, but will definitely take my time to make the correct amp selection.
I am drawn to all items that claim "it allows the music through" without coloring or altering the original sound. I am guessing from your comments that the zero feedback accomplishes this.