Wolf, I have actually done that. The covers on the amps I happen to be using at a given time always have the screws removed. It takes about a month to settle down a particular amp and get it's bias and it's offset optimized. After that it needs to be checked regularly. Contrary to popular belief, ss amps are by no means maintenance free. Once you've got it 'actually' running optimally, this whole thing about IM, TIM, brightness, etc. becomes moot. The key is channel balance within the amp. You either have it or you don't. When you do, that so-called brightness becomes attenuated, the amp becomes very linear sounding, and you have an actual dimensional sound stage. But I'm a vintage guy. Can't speak about class D or switch-mode amps.
Tubes vs Solid State
I have have been listening to music all my life but have only recently started experimenting with different amplifier and/or speakers/component combinations. I have recently moved from Parasound JC 1's to Classe Cam 400 monoblocks which I have both loved (maybe the prior a bit more) and are contemplating another move. I have been very intrigued by tube monoblocks and have the opportunity now to move to ARC ref 600's. I can also get Mark Levinson 33's for about the same cost. I am just uncertain about the Ref 600's as I am worried that I might be disappointed in the tube sound.
Can someone with more experience perhaps help me out here ? I am using the amps as part of a home-theatre setup driving 802 d's and other 800 diamond fronts and rears. I would really appreciate some good advice here.
Can someone with more experience perhaps help me out here ? I am using the amps as part of a home-theatre setup driving 802 d's and other 800 diamond fronts and rears. I would really appreciate some good advice here.
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- 79 posts total
- 79 posts total