ARC's new REF-75


I read Paul Bolin's review of the new REF-75 in AudioBeat and was really taken by it. So, this past weekend I drove down to Newport Beach and attended The S.H.O.W. to take a listen. In spite of the room being a bit bright, I could clearly hear the advantages this amp offers.

The REF-75 is physically beautiful with a kind of retro look. Must have been the meters. I love the looks of this amp! I placed my hand on top of the amp and it was barely warm to the touch. It runs really cool in spite of not having fans. Another advantage ... no fans ... no fan noise.

Right off the bat, the REF-75 was so grain-less, it was simply amazing. The sound comes out of a perfectly black background and the inner detail is amazing with great decay on vocals and simple instrumentals. I love classical guitar and small jazz groups, so this is right up my alley. Vocals were amazingly clear and realistic as well because of the lack of grain. Separation of instruments is another VERY strong point of the REF-75, adding realism to orchestral music. Tonality is one of the first things I listen for ... and this amp is right up there with the best of the ARC amps, including the big REF Monos. The demonstration was made using Wilson Shasha speakers ... 87db, and the meters hardly moved at all even while listening to full orchestral music. The darned thing just coasted no matter what was thrown at it. So, dynamics are terrific ... the amp supposedly uses the same power supply as that in the REF-110, so that would account for the dynamics and particularly good bass punch and depth. Huge sound stage as well. Width, depth and height were more than expected ... in fact, huge in every way.

The REF-75 I listened to at the SHOW was a prototype, but based upon what I heard, I'm buying one later this month. I've owned and/or listened to a lot of ARC amps over the years, and I can say without reservations, that this is one of the very best amps ARC has ever done. The release date is toward the end of June and the retail price is scheduled to be $9,000.00 US. Oh, and if you own a REF-110 ... sell it quick!

As a further note, I visited the Optimal Enchantment room and auditioned the new ARC REF-250 mono blocks. Randy Cooley, the owner of Optimal Enchantment, had the system set up in a suite and really had the system/room dialed in. Randy always has a great demo and has an impeccable taste in music. What I heard in Randy's room this year was simply magic. It had me shaking my head in disbelief wondering how much more information could still be hiding in those record grooves. Was it better than what I heard in the room that demoed the REF-75? Ahem ... it was, after all, Randy Cooley's room. :>)
128x128oregonpapa
Kana,

That's a good question. The difficulty of finding *any* suitable higher power pentode or tetrode push-pull amp using modern tubes and having natural voicing is enough to make my first recommendation abandonment of lower-efficiency speakers. But I know not everyone will do that. It would send a hell of a message though. If I needed ~75w/ch and I was predisposed to tube amps to get it, my first stop would be the Melody 845 push-pull triode amp at 70w per monoblock. Cost is similar or less.

Another option available to you because of ARC's long history of owner-friendly business policies is to find a good condition ARC Dual 76A and send it back to Minnesota to be refurbed to current standard, and then have a local tech retube it again with known NOS tubes.

Another option is the Tim DeParavicini-designed Quad II-Eighty monoblocks. Also his EAR Yoshino 899 or 890 power amps. As someone mentioned, big VTLs in triode mode are contenders. That's a flash answer to your question. If I think of others, I'll circle back. I mostly find natural sound between 5 - 50w these days.

There's also always McIntosh, though I think in powerful amps their quad-differential/autoformer output SS models (specifically and exclusively) are now preferable to their push-pull tube amps -- which is an exception for me to say. They're not a clear preference over ARC REF -- just different. In some respects these are all "lower-tech" circuits than the ARC REF amps, but for convincing musicality at the 75w power level from tubes, they are honest alternatives I hear as more natural, sonically. But they are also all amp types that are in my rear-view mirror.

Phil
I somewhat concur with 213Cobra.
I am using speakers of 90dB/W/m efficiency and I am driving them with 30-35W triode mode amps that started their lives as 100W UL or Pentodes (I mod them to triode and run them half-power)
Anytime you parallel tubes in PP mode you add smear no matter how hard you try to match a quad.
Also most "100W" amps use trannies that can barely go 100Ws. By running my amps in half power I get a lot more good headroom from the trannies. Many will say "oh 30W is not enough it distorts when played loud". Guess what? A lot of times its the driver stage wimping out, not the output stage. A well designed amp with a current-stable driver stage will get you all the power you need even with 2 KT88s or EL34s or 6550s on each side.
Quote: "213cobra---I don't agree. Any combination of hifi gear claiming fidelity can
and should perform any kind of music "well." Perhaps not perfectly, but
certainly well. If it cannot play a full orchestra, Andrew Bird, Jack White, James Blake,
Sierra Leone's Refugee All-Stars, Gillian Welch, Led Zeppelin, Doc Watson, M.Ward, the
full international catalog of MA Recordings, Sonny Rollins, Gram Parsons, Justin Earl,
Tom Waits, Hound Dog Taylor, Alison Krause, Kate Bush and Maria Callas with equal
credibility, then a system is too skewed to genre."

---------------------------------

I don't see no Sade, Boney M, UB40, Sergio Mendez, Fourplay and the likes? And how
about some '70-'80s Disco and '90s Techno? ;p

I too have taken that so called 'purist' route (less is more thinking) at one time and have
enjoyed them quite immensely. Too many stuffs to list within that decade or so. Two of
the best sounding and most memorable amps that I have owned amongst the low
powered ones was AN Ongaku, and for mid powered unit, the VTL90 WE300Bs Triode
Monos (modified). Agree that they could sound magical, bordering surreal at times,
tears, goosebumps--aplenty for sure. Play some Ella, Nina Simone, Carol Sloane, Shirley
Horn etc. you'll be transfixed by the pureness of tone and lit from within quality that
good SET amps provide--they'll melt you for sure--literarily. But put the wrong music
at the wrong volume--they falter. Realizing then that my system began dictating my
music buying choice--I moved on.

In the end, which ever route one chose to take, it should be *music* first, and not
otherwise. As the saying goes--"There are many roads to Rome.." *Keep a
GPS handy in case you get lost! :)
The 30-35wpc amps I have can play almost everything other than Telarc 1812 to very convincing and satisfying volumes.
Eagles hotel California, Roxy Music, Mahler 9, La Valse, and piano pieces played by Pollini (they cause under powered amps to wimp out more than anything). No need to go ultra-non-linear.
Note the music I listed do not necessarily tax on watts/current, but more of speed, continuos mid bass punch/power/drive/agility.

Honestly, my turning point and what got me to re-think my whole set-up was when some friends, took few CDs off my rack--a couple of R&Bs, UB40, Sergio, and the Hugh Masakela's Stimela and played them on my then Ongaku, Tannoy, ML 30.5/31.5 (Jadis, EAD D/A as alternative) set up. They blasted them way up (not to room pressurizing level yet btw.), soon enough began winching and one commented.. "Why the hell spent so much when you can't even get to enjoy some real music properly". Sad, but quite true.. Bass was there--plenty, but just couldn't catch up in the speed, control and socks dept, and those 'continuos bass drives' at 'continuos loudness level' sure is a spell for disaster causing lower powered amps to clip and get mushy much too soon.

Hence, the prelude of my new quest.. VTL90s and on and on and on.. Got too engrossed into modifying this one, spent too much time and money on them, was basically listening to tubes, resistors, caps, wirings etc2 day in day out that music was no longer top priority--thought this was wrong, so sold them, but regretted since. (and yes, I think this particular VTL is a keeper, if ever they re-release, I'll buy them over).

Back to ARC new Ref series amps. Their availability, price, power, brand, good after sales service and re-salability in my country is what, for me, make them an attractive buy--the whole complete package. In a well balanced enough system, with some good simple tweaking, you could certainly ameliorate their weakness (if any), fortify on their strengths and make them sing--no problem, ime.