$18k Tube preamp for large scale symphonies please


hi, can anyone suggest tube preamp that's good for handling complex music & large scale symphonies recordings in studio/ theatres? i had audition some: Aesthetix, CJ ,Modwright, Audio Note, ARC but all seems lacking in some ways and definitely not enough air at top octaves and instruments separation/ spaciousness. all dealer agrees that some pre is good at certain genre of music and sound Great even more if music is relatively SIMPLE like vocal, jazz, light acoustic, slow rock and maybe pop songs. Yes i know personal taste varies as well: bass strength & high freq. extension etc. & gears matching too. could anyone share their expreience so i can narrow down a list? my music typically: Van Hellsing & Princess Mononoke movie soundtrack. hope dealers provide constructive comments. Thanks All in advance. -phil
philipwu
An essential feature for me in a linestage is well implemented support of balanced inputs and outputs. By "well implemented" I'm looking for low output impedance and, if possible, galvanic isolation of the outputs such as via transformer coupled outputs. Since I like the capability to bi-amp, having a volume control on one of the outputs would be a great bonus. Even if you don't need these features right now, these may be something to keep in mind if your systemm veers in that direction.

Another overall system requirement, again for me, is the ability to reverse absolute phase on the remote (and yes remote control is a must-have for me). Ideally, this would be provided by the linestage, but failing that, the DAC would have to provide the capability. In that case, however, you're left without the ability to remotely switch polarity for non-digital inputs. The impact of absolute phase has become more important as my system has evolved.

I'm also evaluating linestages and appreciate all the input to this thread.
Passive preamps are colored just like any other component. If the coloration fits your system thats what counts.
If the preamp is fully balanced, doing phase reversal is a non-issue. We have had one our our preamps for the last 24 years.
One needs to be at the listening position to compare the sound of the alternate settings of absolute phase. There's no consistency in how absolute phase is oriented on recordings. Sometimes it isn't even consistent from track to track. That makes for a lot of back and forth to switch/listen/switch. Doesn't it make sense to put the phase switch on the remote?
If you are listening to a multi-track recording, the effect is not audible. It really has to be a true stereo recording to show up.