Verity Audio speakers


hello all, I have heard Verity speakers recently and I'm "eternaly" impressed with them - they do sound extreemly coherent, and produce very authentic engaging sound. Would like to build system around them.

I was wondering if anybody would be able to share the impressions over the older models: fidelio vs parsifal encore in particular and euquipment matching with these speakers. Is parsifal just bigger on bass or this is too much of a simplificaiton.
I heard only Finn with Mcintosh - this was nice, but many mention also ARC, Einstein, VAC also. What are your impressions in terms of equipment matching here?
For now I only have Arcam avr 600 and would like to take leap forward from there so any of the above would be major step forward I guess. I like the tube sound more than SS and would like to explore this avenue.
Also would like to get in touch with somebody who would be prepared to sell older Parsifal model. patryksec@gmail.com
icebergdolomino
John, it also depends on the room’s size. It is not always practical to have the speakers placed 1/3 into the room. Some manufacture realize this and offer starting distances at a multiple of 1/3 i.e. 1/6 or 1/12.

As you have noted, some speakers are designed to utilize room boundaries to their advantage, most notable, corner loaded horns. Verity’s represent a typical bass reflex design, which is one of the most common designs.

You can take what the speaker’s marketing department says about room placement and easily substantiate their claim with a few easy measurements.
I've owned P/Es for over 10 years. A few observations, FWIW:

IMHO, this is a very fine speaker, but there is a noticeable hump in the octave below 100hz (exactly where is room dependent) and gently falling FR thru the mids and treble region - with the exception of a "plateau" thru the presence region that probably contributes to the speaker's striking dynamic impact. I suspect that the overall falling FR is why some say "dark" while others say "musical". For any given listener, that distinction might well end up being source, room, and system dependent.

Close to wall placement may further emphasize the bloom in the bass, so I'd personally suggest that you get 'em away from the boundaries. Also, warmer sounding tube amps can be problematic, per several posts above. I agree that ARC works well, as does quality solid state amplification.

This is a moderately tough load, so low output SETs and OTLs need not apply. I'd also note that there's limited bottom octave output with any amp, so real bass freaks can probably do better for the $.

If you get all the other stuff (room, system, etc) right, and you don't need the pipe organ / HT option, IME the P/E sounds really, really good with a broader range of source material than most other speakers that I know.

Marty
Interesting, Brf. I'm betting 1/12 is a good starting point in my room, for speakers that are not obviously disqualified from near wall, like OBs

John
I also owned the P/E's for 6-7 years. I think Marty's observations are spot on. It's interesting that someone mentioned running Art Jota's on Fidelio's. I tried them on Parsifal's, and it was a no go. Not even close to enough power. I owned two amps at the same with P/E's. I had the Accuphase A-50V, and CJ Premier 8's. As Marty mentioned, warmer sounding tube amps can be problematic. The 8's were warm, and did not have a detailed, articulate bass. The bass (on P/E's)could be rather undefined, and a bit boomy. The Accuphase, on the other hand, really grabbed hold of those woofers, and was much better in the low frequencies. That said, it was the CJ that stayed over the A50V, just because of what only tubes (IME)can do. I think a more linear, neutral tube amp is the way to go for P/E's. If you have a small room, I could argue the case to go with the Fidelio's. Pair them with a good solid 30 or so watt tube amp, and you could be set. I know someone who runs them with a sub, and is quite content.
I spent a very enjoyable morning with Verity PE's at a local dealer last week.

I'd briefly heard a Luxman cdp into his Soulution pre & pwr driving the Verity a month or two back. The experience blew me away, the sheer resolving power was fantastic on a double bass jazz piece.

On the basis of that experience we arranged a free morning and I took some music I was familiar with. In the meantime the system had been moved so it faced down rather than across his relatively small dem room. Also changed was the cdp, a Reimyo CDT/999 combo replaced the Luxman. A stella looking cast!

It turned out rather frustrating. Initially the combo didn't work. Great transparency but something was missing, highs were that bit expicit and lows were strong but a little tight, it sounded like hifi rather than music.

Some messing about with cables revealed just how transparent the Verity speakers are. I've not experienced a system where changing out a set of signal cables was as noticeable. Eventually we ended up with a combination that performed well. Still I was left with that feeling I'd been listening to a (very good) hifi rather than music which was disappointing. My system at home gets closer to the message for me, that was a big surprise.

I've no doubt that the combination I heard has greater potential to sound stunning than my own. Just goes to show that whatever the system you need synergy between everything connected and the room before you reach the point where you can relax and suspend disbelief.

The Verity speakers are undoubtedly wonderful speakers, like any state of the art transducer they'll tell you what you're feeding them and whether they're happy with it or not.