Pass Int-150 or Int-30A for PMC Speakers?


I have listened to PMC speakers (GB1i, FB1i, OB1i) with various integrated (Bryston B100&135, Simaudio 340i, Krell s300i, NAD M3) and was not closed to being satisfied. So I have decided to splurge a little to get Pass Labs integrated. Has anyone tried Int-150/30A or their amp version (x150.5/XA30.5) with PMC FB1i? What's each combination like?

Seems like many people match OB1i with Int-150 but am curious to hear what PMCs sound like with the Pass Labs Class A setup...

I will be using NAD M51 as DAC.
fiddleronroof
Actually the Pass revealed the Cary's short comings as well and was the better amp of the two; more refined. So I am looking to move up in the Pass line at least at this time just not sure exactly which amp / pre-amp.

Chuck
XA30.5 is the only stereo in XA.5 line and all the others are mono. Maybe X250.5? Mark once told me X.5s have more bass slam and XA.5s are about seduction and refinement.
Chuck, just to make sure...your speakers are 1007 Be, correct? I had 1008 Be and felt the bass was a little lacking in my 18x25 room. So I moved up to 1028 Be and still find XA30.5 drives these 3-way floorstanders without a sweat (meter stays on the left side even at very loud level).
One other thing to note is when I had 1008s, at one point I did A/B XA30.5 with Bryston 4BSST2 (300wpc) and didn't feel Pass gave up anything to Bryston in any way. Bryston may drive a lot more difficult load better, but for speakers like 1008s, my experience is Pass is in another league.
Hey Chuck, sorry to hear the amp went back. I think you will enjoy the analogue playing with the XA amps. The sound staging is much more 3D and the bass sounds natural and real. Please do let me know what you end up with.

Hey Kz, I am trying to work out a deal with my Electrocompaniet dealer. Not sure what I will end up yet... I am also eyeing on the Lyngdorf TDAI2200 that's up for sale on Audiogon...
Yes they are the 1007 Be's. One of the issues with the INT-30 is that it doesn't have a meter so I really could not tell what was going. With some recordings Telarc Tchaikovsky 1812 overture, the digital canons for example, I thought the amp ran out of room. This seemed to occur on other recordings with a lot or percussion type passages. But it is hard tell for sure if it was the amp or the recording as recordings can vary greatly. I do know I ran the amp into the high end of the volume control. It maxes out at 63 and I ran it into the high 40's low 50's. This concerned me as I have never run a volume control this near it's max value.

But in general the amp was very good bettering the Cary in every way imaginable. This is why I think a jump up the Pass line perhaps the XA60's with a XP-10 or 20 would work very well and take away any issue with regards to power.

Chuck