What tube pre amp match up with a solid state amp


Would like to try a tube pre amp with my mark levinson 335 amp. Must have XLR in and out puts. In the $3ooo to $5ooo range. What do i need to look for in paring the two together
thanks Pete
68pete
Atmasphere is corrent in that there is a lot of confusion about balanced operation. The proplem being that too many manufacturers do not clarify the type of operation used in their "balanced" connections.

I have been inside a lot of equipment over the years only to find some components claiming to have balanced connection simply tie pin #1 and pin #3 together. This is no more than a single ended circuit with a XLR connector. Some manufacturers do this because they don't think there is a difference between single ended and true balanced and don't beleive consumers can hear a difference. Others do it simply for marketing to those who are looking for balanced. Unfortunately, these are the products that created all the confusion and they are deceiving consumers.

All of our Purity Audio Design preamps are true balanced and do agree with others that when done properly, it will make a difference as long as it is being used with associated components that also uses true balanced circuitry.
You have to be careful not to judge say a preamp with true balanced outputs when it is feeding an amplifier that simply has pin 1 and pin 3 tied together on a XLR connector. You are not getting the benefits of balanced in such an arrangement as you are back to dealing with the ground so you cannot put any blame on the preamp. It happens far too often.
The Kavent S-33 is exactly the same preamp as a Vincent SA 93 for whatever that's worth (I might be able to find out about the outputs somehow). Although I'm not certain if the XLR outs are truly balanced (with one meter ICs it doesn't matter to me anyway, except for the fact that I like XLRs), I am certain the Mogamis sucked, which was my point. Also, hearing differences in balanced cables maybe is "not supposed to happen", but in pro audio using balanced mic cables it happens all the time.
By the way, is there any simple way to test if XLR outputs are actually balanced without a boatload of test gear?
Wow thanks for all the info. Some of it went over my head but all very usefull
PETE
Wolfman; with the amp or preamp powered off, measure resistance between pins 1 and 3 with an Ohmmeter. If you see something less than 1 Ohm then the pins are tied together like Atmasphere says. If the meter reads open (infinity) then it must be a true balanced circuit.