Is soundstage just a distortion?


Years back when I bought a Shure V15 Type 3 and then later when I bought a V15 Type 5 Shure would send you their test records (still have mine). I also found the easiest test to be the channel phasing test. In phase yielded a solid center image but one channel out of phase yielded a mess, but usually decidedly way off center image.

This got me thinking of the difference between analog and digital. At its best (in my home) I am able to get a wider soundstage out of analog as compared to digital. Which got me thinking- is a wide soundstage, one that extends beyond speakers, just an artifact of phase distortion (and phase distortion is something that phono cartridges can be prone to)? If this is the case, well, it can be a pleasing distortion.
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I could have been clearer- is soundstage extendeding beyond the speakers a product of a distortion?
Nope. Soundstage is nothing more than the height, width and depth of the music sound field emanating from the speakers. To get the maximum soundstage is determined by a well executed amplifier design as well as a damn good crossover in the speakers. I don't buy your point that analog results in a better soundtage than digital. That would only be the case if your using a lousy, poorly designed CD player. If all your separates are top notch designs and synchronize perfectly together, then the soundstage should not be an issue.
Soundstage is the result of two things- good high frequency response and good phase reproduction (low phase shift). If both are correctly reproduced side information that appears to be beyond the spread of the speakers is normal.

The Soundstage concept is why stereo was created. The original principles were created by Alan Blumlien decades ago.

Roger Water's Amused to Death has extra phase encoding in it that takes advantage of this fact.