which floor speaker up to 1500.00


im all ears..soundstage and imaging are most important..buying new only. Music..dance/pop/jazz/classical
nyaudio98
There's a guy selling NIB Revel F32s for $1500. These are close-outs as Revel has now released the new Performa3 line.
REGA RS5 / REGA RS7

see the great reviews in STEREOTIMES

http://www.stereotimes.com/speak022306.shtml

The R7 combines the true-to-the-music philosophy of all Rega products with the resolution and imaging demands of the audiophile world

Great extract below:

>>> After 34 years’ experience in the audio world have taught me that the most common system building error is mismatching the speaker to the room. Place a mini-monitor in too large a room and you get the bass-shy “squawk box” syndrome.

Far more common in the US is buying a speaker whose bass response is more than the room can handle, resulting in various manifestations of boom, thud, and rhinocerine mud-wallowing. It’s more than a simple matter of room dimensions and overall volume: wall and floor construction also play a crucial role. It’s been my general experience that if you can get clear and tight response down to 40 Hz in-room, stop and count your blessings. And think very hard about pursuing response into the bottom octave. One is more likely to screw up everything achieved in the musically useful range of 40 Hz and above. While my own reference speaker, the Sound Lab Dynastat, is flat to 20 Hz in my large basement listening room, the number of times I’ve absolutely needed that bottom octave for musical reasons in the last two years is zero. While the lowest range of the organ might be majestic in a large cathedral, mismatched bass-heavy speakers that literally shake the house on its foundations are more likely to induce vertigo and viscera displacement than aesthetic satisfaction. So how do you walk the line between bass-shy mini-monitors and elephantine bass heaviness in the “normal” room? Enter the new Rega R7 loudspeaker.
Need an RS 3 in a room that size, even a RS 5is too big, I know , I tried both. RS 3 is good, Silverline Prelude is better.
New or used? Type of amplification?

If used, I have been auditioning some small floor standers and have liked these with classical/jazz:

- OHM Microwalsh SE
- Opera Super Pavarotti
- Totem Acoustic Arro
If it has to be floorstanders I'd agree strongly with the Silverline Prelude recommendation given your stated priorities. I've only heard them at shows, but they really wowed me along with lots of others in the crowd with their remarkable imaging and transparent 3D soundstage. Hard to see you going wrong there assuming they mate well with your equipment and room. I liked the PSB and Aperion recommendations as well, and I'd throw Epos in there too based on what I've read but haven't heard any of them them first hand. Best of luck.