Speaker wire construction and sound quality


I'm not new to mid to high end stereo listening but have concentrated, over the years, mostly on the obvious equipment choices such as amplifiers, CD players, loudspeakers, etc. Most recent decisions regarding these have been based on information and advice found through forums such as this and, for the most part, have worked out well.

In the old days (50+ years ago) when monaural was king and high volume strong bass reproduction was the goal of most young pursuers of high fidelity, speaker wire construction and quality were not common subjects of conversation. Everyday electrical extension cord in those days was the cable of choice. In the past twenty or thirty years my approach has not been that much different in that I have simply chosen specialized and relatively expensive heavy gauge wire and left it at that.

Things have changed. The choice of speaker conductor has become a big deal and I simply don't understand the technical arguments supporting one type or another of the available choices. For the most part I'm pretty happy with my system but am always looking for ways to reduce brilliance/shrillness which I am very sensitive to because of a hearing condition called hyperacusis.

I've tried some of the more obvious fixes such as tube based DAC's and they definitely have helped. FYI, my basic system consists of the following: Rogue Audio Sphinx integrated hybrid amp, Shanling solid state CD player, California Audio tube DAC and Martin Logan Odyssey speakers. This was not a ground up designed system, just what it has ended up being as a process of piecemeal evolution.

Getting back to speaker wire, is there really that much difference in sonic quality related to a choice of the many that are available? I've read many articles on the subject and the opinions vary greatly to the extent of being totally contradictory to one another. I don't have a super audiophile system, I know, but are there some basic considerations that one should take into account in making a choice, and is there any advantage to bi-wiring?

I'm not that good at describing sound character because I don't have a good handle on the terminology but I do know brilliance when I hear it. It was suggested by someone whose knowledge I respect, that speaker wire could have a positive effect in resolving the brilliance issue while maintaining detail. As an experiment, he loaned me a pair of cables that are highly reviewed and cost over $5000. I can't afford something like this but was curious to see if I could tell the difference; I couldn't. I even tried the same experiment with my pair of Jamo Concert 8 bookshelf speakers using the same music ( Jazz at the Pawnshop) thinking they might be more sensitive to subtle changes, and still could not discern a difference. I realize that this could be as a result of my own observation deficiencies but would very much like to hear what you all have to say about this issue.
128x128broadstone
Broadstone,
(boy, your username sounds like a CIA operation!!) it might be good for you to read this particular thread on what the essential parameters are for good cable design:
http://forum.audiogon.com/cgi-bin/fr.pl?fcabl&1363313104&&&/Why-are-we-going-300-or-more-directions-

Broadstone, you've made reference to also having a pair of Jamo bookshelf speakers. Have you tried these at different volume levels, and do you still have the treble issue, or is it totally gone?
.
Thanks, TIs49. I ordered the Canare cable that you suggested and will let you know if there is a difference, to the extent at least, that I'm able to discern.

Bombaywalla, I see what you mean about my identity title but it is simply the English interpretation of my German last name. When it comes to ESL's, I have used them for many years starting with a pair of Acoustats. Since then I have owned 4 sets of Martin Logans and built a single panel myself using materials and electronics purchased on eBay.

All that being said, I never actually went further in my understanding of them beyond the basis of their operation. I have always enjoyed their sound and would still not question using them except in light of the fact that they may be a significant factor in my extreme hearing sensitivity. Your discussion regarding distortion related to capacitive influence of the stator panels would be a major factor as regards ESL's in general and makes sense. However, in my use of the much more highly efficient Jamo Concert Eights, I experience the same problem but, because of their detail and very tight bass, they're better for listening at lower volumes.