Linn LP12 vs. VPI Classic 1 and 3


As an owner of an LP12, I am considering an upgrade to a VPI Classic 1 or 3 or 4. I have heard a Classic 1, but not in my system. Have not heard the up scale Classic 3 or 4. So my question is- for those who have heard or own the Linn and have heard the VPI's, do they sound better than the regular Linn Lp12 with Valhalla ( my version),...can they and do they beat the Linn with Lingo, and do they compete with the uber Linn-LP12 Radikal/Keel? If so, which models of the VPI are the winners in these comparisons ( if that is the case at all).
128x128daveyf
Pani, I agree with what you say. I ask the question on this forum to see what the
consensus of opinion on this forum will be. OTOH, I can assure you that I NEVER
buy any audio gear unless I have heard it in my own system and room first,
regardless of the hype or publicity it receives on forum's or elsewhere. I have
been an a'phile for abut 40 years; one of the very first things I learned was
how important listening in your own room is when buying audio gear. I also
concur that music, and the perception of same, is definitely in the ear of the
beholder.
I would take a properly set up Linn over almost any other table.... but the key word here is properly set up. I can't do it, and the guy who used to do it for me has passed away. I've moved on to a Well Temepered Simplex which I am really enjoying especially because the easy setup make it possible for me to try out a bunch of cartridges. No alignment hassles ever. Awesome.
it's been a vey long while since I heard a VPI. Unfortunately it was a poor demo so the VPI was off my list. I wound up with a Linn LP 12, with an Ekos II arm, Arkiv B cartridge and Lingo power supply.

This past summer I thought my LP 12 really was only sounding fair. I had it tuned up by my Linn guru, and it once again had a sparkle.

I am intrigued by the Classic 2 table, though, but haven't heard it. I would welcome the chance to compare the two as all in all, the Classic 2 appears to be a good value as such things go. The idea of mating it with perhaps a Soundsmith cartridge is even more interesting.

My one question for VPI users is do they still hum with moving iron cartridges? I once heard a set up with a Grado cartridge which although highly musical, by the time the arm got near the inner grooves, the hum easily broke through the music to an objectionable level.
RE:" hum with VPI Classic" ---- Yes mine does and that's the reason that I'm getting an Aries 3 this month. There is a huge thread here which will provide a ton of information on hum problems with the VPI Classic.

RE:"Linn vs VPI Classic one" --- I had an LP12/Cirkus/LingoII/EkosII, and the Classic is a better table in a music sense for my taste and in my system. My table was setup by the Linn guru at Audio Directions.

M~
I owned a Linn LP12 with Ekos 1, Lingo 1, Cirkus and Tramp 2. The table sounded okay and was a lot of fun and taught me the importance of set up.

Linn lost me as a customer as future upgrades became extremely costly and I had a difficult time justifying Linn’s pricing model. I also did not like the lack of adjustability for their tone arms. With the Ekos, VTA was difficult to set and there was no provision for azimuth adjustment.

If you like to mess around with table set up and you have some technical skill and patience, I would recommend a use LP12 with a recapped Valhalla, Cirkus bearing and Ittok LVII. For less $1500 you will have a great performing table that will not depreciate in value. Read the numerous Linn forums regarding set up and play around with the table’s setup. There will be periods of frustration and periods of reward, but in the end, you will know if this table is for you or not.

I am a VPI user now and love the sound of their table plus the affordable of VPI’s upgrades. If money is not a deciding factor, I would recommend the Classic 3, but for $1500 the used LP12 as described above provides great value if you are willing to put in some time and effort.