Syntax asks some good questions. The way I see it, Gordon Holt and later Harry Pearson were both very sincere observers of what Harry first called "the high end". I don't believe either of them had a commercial bias, and Gordon Holt got in trouble with a few manufacturers along the way for his outspoken reviews. With HP, one soon learned that he had real biases, but I never thought it had much to do with dollars, more to do with which guys in the industry he liked and with which bits of gear when cobbled together would give him the particular colorations he seemed to be fond of. (Jadis? Get real.) But his contribution was to construct a language that could be used (by him and only a few others since, unfortunately) to convey a sense of how something sounded. Having said that, I must also say that any time in my audio life that I heard something he liked, I found it to be very disappointing. In any case, the modern versions of audio magazines Stereophile and TAS have gone astray from the real intent of their respective founders. The concept of a common language at TAS has been totally lost, for example. I wouldn't argue with any of the critical comments made here by others. I never did make a purchasing decision (consciously) based on the content of a review, and I certainly would not do so now. I find that TAS and S'phile are very handy for reading in the bathroom. Let's also remember that the Brit magazines, fondly referred to above, or some of their more well known reviewers, were caught soliciting pay for praise, more than once.
Yet, I want them all to survive, because I favor print over internet. Internet reviews are far less reliable, far more ridiculous, IMO. Anyone can publish anything on the internet. I see truly idiotic misconceptions promulgated electronically much more often than in print.
Yet, I want them all to survive, because I favor print over internet. Internet reviews are far less reliable, far more ridiculous, IMO. Anyone can publish anything on the internet. I see truly idiotic misconceptions promulgated electronically much more often than in print.