Why will no other turntable beat the EMT 927?

Sidssp,
tell me a modern design you think it will surpass the sound qualities of the EMT 927? I will then tell you if I have not listened to it in all the private systems I was able to study and all the audio fairs I went to. In this case I am eager to learn and will try testing the design if possible.

Thuchan, It would help if you would list the turntables that you have actually compared to the EMT 927, in the "here and now" (as HP used to say). What I mean is not to rely on remote memory of how this or that turntable sounded.

I know you have the Caliburn and the big MS turntables. What else?

I think this is a perfectly valid question, as there is some precedent.

There is a loudspeaker that was made in the late 1950s that has probably been used by more designers to 'voice' amplifiers (and other speakers) than any other. Peter Walker's Quad electrostatic speaker. It still (60 years later) stands for many as the pinnacle of speaker design. For, what it did to the all-important midrange was, and some say still is, unimprovable.

If this is indeed so, then, by extension, it is possible that the EMT 927 is, as Thuchan states, the best turntable ever made. Of course, we have to believe that it's possible that there is something better, but evidence might not suggest this.

If the job of a given piece of audio equipment is to extract information from a source that has a finite amount of information to give - and to do no harm in the process - then there might be a 'fininite-ness' in the process. There is no absolute reason to think that progress is infinite. For emotional reasons one might wish it otherwise, but this is not necessarily true.

I think this is a perfectly valid question, as there is some precedent.

There is a loudspeaker that was made in the late 1950s that has probably been used by more designers to 'voice' amplifiers (and other speakers) than any other. Peter Walker's Quad electrostatic speaker. It still (60 years later) stands for many as the pinnacle of speaker design. For, what it did to the all-important midrange was, and some say still is, unimprovable.

If this is indeed so, then, by extension, it is possible that the EMT 927 is, as Thuchan states, the best turntable ever made. Of course, we have to believe that it's possible that there is something better, but evidence might not suggest this.

If the job of a given piece of audio equipment is to extract information from a source that has a finite amount of information to give - and to do no harm in the process - then there might be a 'fininite-ness' in the process. There is no absolute reason to think that progress is infinite. For emotional reasons one might wish it otherwise, but this is not necessarily true.

Dear Halcro,

"No voodoo is any turntable rest assured! plain facts. EMT927 was designed and built with no shortcuts, power/torque & size of motor, serious bearing, platter height, distance of motor fixation to arm, the list is long....just well done and that gives us what? Well? all we need! indeed stable speed, no rumble or wow, isolation...etc. In fact if you look at the claims marketed by TT marker of this day they are just telling us that EMT had nailed them all. Simple! EMT 927 & R80 users tend to listen to their records, keep quiet and enjoy, full stop. But to really get a grasp on what it is worth? You have to get one....and in that lies the issue no doubt?.

One has to accept the limitations of any choice and EMT is no exception! With the 927 forget the "playing with arm and carts game", you don't have to change any parameters when using the excellent TSD Tondosen. Or if you have the 139st onboard forget the "matching the impedance and dishing out big bucks on phono-stages" that both come sometimes with more questions than they answer? so "idler-drive distinctiveness or something else"....no idea, I just play that deck more and more and as this community knows I have no shortage of TT's...is that an answer?