Raul and Lewm are both correct. The longer 12 inch arm can reduce tracking error but adds new design challenges by being longer. And as Lewm states, if the setup of the 12 inch arm is off a bit, the tracking error becomes worse than a 9 inch arm. And the articles that I read showed the tracking error is worse for the 12 inch arm vs. the 9 inch for the same amount of mis-setting. Effective mass is actually the inertia of the tonearm and inertia is mass times the radius squared plus 1/3 the length squared. So the 12 inch arm has to have a higher effective mass. The arm tube rigidity to avoid resonance response becomes a bigger challenge too for the longer arm. It is a mechanical engineering problem that was solved decades ago. The 9 inch arm, in general, provides the optimum solution for all conditions. Sure, new materials can justify a revisit of old ideas. Just watch out for new designs where the hype outweighs the engineering.
Why will no other turntable beat the EMT 927?
Having owned many good turntables in my audiophile life I am still wondering why not one of the modern designs of the last 20 years is able to beat the sound qualities of an EMT 927.
New designs may offer some advantages like multiple armboards, more than one motor or additional vibration measurements etc. but regarding the sound quality the EMT is unbeatable!
What is the real reason behind this as the machine is nearly 60 years old, including the pre-versions like the R-80?
New designs may offer some advantages like multiple armboards, more than one motor or additional vibration measurements etc. but regarding the sound quality the EMT is unbeatable!
What is the real reason behind this as the machine is nearly 60 years old, including the pre-versions like the R-80?
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- 570 posts total
- 570 posts total