Why will no other turntable beat the EMT 927?


Having owned many good turntables in my audiophile life I am still wondering why not one of the modern designs of the last 20 years is able to beat the sound qualities of an EMT 927.
New designs may offer some advantages like multiple armboards, more than one motor or additional vibration measurements etc. but regarding the sound quality the EMT is unbeatable!
What is the real reason behind this as the machine is nearly 60 years old, including the pre-versions like the R-80?
thuchan
Dear Mapman: Unfortunatelly all the audio community belongs to that AHEE.

Now, inside the AHEE are great things and bad things, good very good people and other not so good.

Agree, impressions matter with people, sometimes even more than facts.

Regards and enjoy the music,
R.
Dear Mapman and friends: If we take a look around us around each one system and around threads/posts on several internet forums we can confirm that more and more audiophiles are now listening/to take refuge on vintage audio items: TTs, tonearms, cartridges, speakers and even electronics.

Why is that?:

certainly there must be/exist heavy reasons to that kind of behavior other than " vintage nostalgic ".

That's IMHO a fact that is telling to the AHEE that something is wrong with the AHEE historic trend and that something must has to change that audiophile firm trend in favor of what MUSIC playback needs, in favor of what LP playback needs and of course in favor of what all of us audiophiles needs more than simple making $$$$$$$.

I think that that audiophile " silent protest /revolution " is not enough because the AHEE follow with its trend.

I think we have to SHOUT at every single forum/way we have. I think we have to take active actions to really provoque an audio highn end change in favor of the AHEE and its real grow up in the right direction.

How can we SHOUT and be heared?, examples: that all over the world the audiophiles stop to buy any single audio item for one week or one month, to all audiophiles cancel their audio magazines suscrptions, that all audiophiles send an email SHOUTING to all audio forums, etc, etc.

Today, we audiophiles over the world are the ones that mantain that permit to survive any single AHEE member ( the good ones and the ones not so good. ) with our money$$$$ not with their money.

Always is to easy " to play " with other person money but a different history to " play " with our own money. Don't you think?

That's my opinion, which is the one each one of you have on the whole subject? do you want to follow paying for audio items ( any ) that does not fulfill the MUSIC and your real own NEEDS?

Regards and enjoy the music,
R.
I just listened to Charlie Mariano and Dieter Ilg - Goodbuy Pork Pie Hat. If you ever have the chance listening to this direct to the cutter head mastered record by sommelier du son you may realize what good music means.

Charlie tells us the story of Lester on the sax. He tells the story of all great saxophonists. Also his own.

what a pitty he left us in 2009
Dear Thuchan: ++++ " audiophile nirvana which we all of the AHEE community will never reach .... " ++++

No, I never said that. What I said is that there is an alternative to enrich that today Nirvana you have: lowering system distortions.

I posted two steps that helps about but certainly there are others that we have " walk ".

Now, one important subject is: how can I know that I'm really lowering the system distortions or in the right road?

There are some ways to do it. One of them is:

listen to digital, CD ( redbook ) in a decent/latest CD player. You need to buy titles as these Original Soundtracks:

1492 Conquest of Paradise ( Vangelis ), The Thin Red Line,
Memories of a Geisha and Gladiator. There are more but those is a good point to start.

Listen to those digital recordings and through the time ( working on system up dates. ) as you " accept " in better way ( enjoying really. ) what you are listening as better is your system quality performance and for sure your enjoyment to analog playback.

Digital has its own kind of distortions different from the analog ones and that's why permit and serve as a tool to improve our analog listening.

When an audio system has low distortions even those kind of digital recordings are not only listenable but you can enjoy it easily. Now, you have to enjoy it not only at low or " normal " SPL but at not-normal/high SPL, this is very important to test/experience because at high SPL; you will know about those distortions.
Normally are high distortions the ones that preclude that we can hear ( with out risk. ) the system at high SPL.

If today listening to those recordings is a " torture " for your ears then you have a big big system land to improve.

There are other tools that will serve you to know where you are " seated " in that lower distortion quest. Latter I can post about.

Regards and enjoy the music,
R.