Why will no other turntable beat the EMT 927?


Having owned many good turntables in my audiophile life I am still wondering why not one of the modern designs of the last 20 years is able to beat the sound qualities of an EMT 927.
New designs may offer some advantages like multiple armboards, more than one motor or additional vibration measurements etc. but regarding the sound quality the EMT is unbeatable!
What is the real reason behind this as the machine is nearly 60 years old, including the pre-versions like the R-80?
thuchan
Dear Thuchan: ++++ " audiophile nirvana which we all of the AHEE community will never reach .... " ++++

No, I never said that. What I said is that there is an alternative to enrich that today Nirvana you have: lowering system distortions.

I posted two steps that helps about but certainly there are others that we have " walk ".

Now, one important subject is: how can I know that I'm really lowering the system distortions or in the right road?

There are some ways to do it. One of them is:

listen to digital, CD ( redbook ) in a decent/latest CD player. You need to buy titles as these Original Soundtracks:

1492 Conquest of Paradise ( Vangelis ), The Thin Red Line,
Memories of a Geisha and Gladiator. There are more but those is a good point to start.

Listen to those digital recordings and through the time ( working on system up dates. ) as you " accept " in better way ( enjoying really. ) what you are listening as better is your system quality performance and for sure your enjoyment to analog playback.

Digital has its own kind of distortions different from the analog ones and that's why permit and serve as a tool to improve our analog listening.

When an audio system has low distortions even those kind of digital recordings are not only listenable but you can enjoy it easily. Now, you have to enjoy it not only at low or " normal " SPL but at not-normal/high SPL, this is very important to test/experience because at high SPL; you will know about those distortions.
Normally are high distortions the ones that preclude that we can hear ( with out risk. ) the system at high SPL.

If today listening to those recordings is a " torture " for your ears then you have a big big system land to improve.

There are other tools that will serve you to know where you are " seated " in that lower distortion quest. Latter I can post about.

Regards and enjoy the music,
R.
Dear Thuchan/friends: Remember that you are not evaluating digital, you are not evaluating analog, not evaluating those CDs kind of music and not evaluating your ears what you are evaluating is the: SYSTEM QUALITY PERFORMANCE LEVEL.

Please don't try to make comparisons between digital and analog and don't look if digital can performs or not as analog: NO, NO.

Those CDs are only a tool: as an srewdriver to unscrew a screw and that's all.

It is not important that you like that kind of music or that you dislike digital " per se ", please use it only as a tool a " measure " tool to evaluate the system quality performance regarding low or high distortions on it.

Regards and enjoy the music,
R.
Listen to those digital recordings and through the time ( working on system up dates. ) as you " accept " in better way ( enjoying really. ) what you are listening as better is your system quality performance and for sure your enjoyment to analog playback.

Better? More enjoyable? Who should be the judge? Me, right?

So, that goes back to what I like / prefer ?
Dear Thuchan: Some tracks on those CDs has high content of low mid bass/low bass and are very good to evaluate the system bass management at low and high SPL.

What to look for?: that room/flor shake?, certainly not. What we are looking for is a bass perfomance with: fast transients, short decay time, no overhang, pitch, definition/precision,quality of, natutal color not " organic /bloom ".

We are looking for a firat rate bass management that permit to enjoy that bass frequency range with out " touch " the midrange/high frequency ones, i mean with out lost of midrange/hf transparency but the othet way around: clean, transparent, higher detail and endless dynamics on these frequency range.

Some of the tracks in the Gladiator CD is very good about because combine that kind of bass with full midrange/hf range music. It has very demanding " grooves " where only with top system quality performance can enjoy it and can follow each single mid range/hf notes at each single layer in the " grooves ".

Of course that there are passages where the bass go not only deep but with enough quantity to feel it inside your " bones " but even there the other frequency ranges must be hear it clear with detail and emotionally right.

It is not an easy task for any audio system, always a chllenge that when " you win " the overall rewards are richness than ever.

There are other CDs that are very good tools to evaluate that regards as: The Day After Tomorrow.

Those CDs tool/tests helps to improve room interactions, speakers/subs right position, faults on electronics.

Yes, you have to make changes or confirm that your system is just RIGHT and inproving.

Btw, I'm posting about because you ask for.

Regards and enjoy the music,
R.