Why will no other turntable beat the EMT 927?

I just got in touch with another wonderful idler, the Pierre Clement. Does anyone have experiences with this quite rare table. Would be fun running it again the EMT 927.

Perhaps the answer lies with the man behind the machine, Mr. Franz. The 927 is his ultimate expression of the art of music playback. It's no different than Enzo Ferrari's marvelous engines or Ferdinand Porsche's genius. These men gave their creations souls. There are many good engineers but very few Creators who belong to this exalted group and Mr. Franz was one of them.

Thuchan, I agree with your praise of the EMT 927 and that there's nothing out there like it. I love mine, perhaps more than any other table I own except one. EMT isn't the only magical player there are a few others with different but equally exceptional qualities. I found that all these machines bring you closer than anything else to the heart of the performance and the voice of the music. In my collection I have all the top Micros, the Thorens Reference a Goldmund Reference and the rarest beauty, The American Sound. Each and every one of these faboulous tts has the creator's soul yet they sound distinctly different. Its like viewing life from different perspectives. Sorry, I know that my commentary is subjective and emotion based but I don't know of a different way of explaining how these players communicate.

As a dealer I come across many of the new high priced players and aside from a few imo none of them are created. Some are well engineered and many are over priced pieces of junk, either way they're boring and lack the magic!

Dkarmeli,
Have you heard the new TechDas Airforce One? If so, how would you say it compares to your favorite tabels?

"Climbing the Everest is not about money nor is it a BtoB market...it is about personal achievement or ego......"

Perhaps, but I am convinced that the EMT is about personal achievement, not ego.

Mr. Franz understood one simple truth; that the job of the platter is not to control the resulting sound, but to provide the turntable's signature. That signature is merely his idea of what the resulting tone should be; it does not define the physics of the machine.

Unfortunately, that simple truth is lost on the vast majority of turntables in the world. Their designers often laud the perceived benefits of flywheel effect at the platter, but I am convinced that Mr. Franz abhorred the notion. I know I do, although I didn't for many years.

It's a lot more than that, though. His machine works as it does because he had a grasp of what its task really was. He was able to see it as an entity, rather than a collection of parts, and he knew what roles to assign each of part, so that it would be in perfect unison with all the others. That is what makes it an entity, and the end result follows logic without any gaps. There are no weak links. Every single aspect of its design can be defended. One cannot say that about most turntables, not even the purported "good" ones.

I suspect that in the end, whether one likes how EMT 927 sounds, or doesn't, depends solely on its maker's idea of what constitutes the proper signature because all the other bases seem to be covered.

There must be some reason why it is not made anymore and why no one has exactly copied it. I have never heard one and only ever seen one, but it just looks too much like a DJ turntable, which of course it was.