What do you expect a reviewers system to be


There has been quite a bit of discussion on reviewers systems, long term loans, favored purchase price etc.
but what do you expect your favorite reviewers system to be if he or she is to be taken seriously about the component under review. does the reviewers system have to be the same as yours. does it have to sound good, or should it be so detailed and etched that its not great fun to listen to, but you can sure tell the difference when a new component is substituted. if not the latter, then how can you tell if the new component just makes the system sound better, but may have aberrations of its own. And, if you demand the review have that detailed system, does he have to pay for it at retail so he can avoid criticism and have to listen to it all the time, or can he have another system he may enjoy more, or for which he got discount pricing.
Myself, I doubt that there are many full time reviewers who are independently wealthy and could afford. I'm ok with a reviewer using whatever system he likes to review a product, so long as he is familiar with that system so he can readily recognize changes, for better or worse. If thats a bose table radio,so be it. but what do you all think?
manitunc
I suspect many reviewers don't have a system themselves, but are using review items to make up the system. Nowone is going to make there first million as a HiFi reviewer and as others have suggested, some of the items reviewed will be beyond their, or any of our means, for that matter.

If you read reviews carefully, many report on using the item with other kit in for review at the same time.

In an ideal world, the item for review will be put in a stable system one at a time, I suspect in most cases, if the reviewer has a system, it will have 2, 3 or more review items in it at any one time. I am not sure how anyone can give a valid opinion, if this is the case.
Not sure I agree. If a reviewer is reviewing a pair of speakers and he has three amps in rotation, then over time he can try all of the amps with those speakers and inform the reader about differences he may hear.

Same could happen with one tonearm and three cartridges.
If a reviewer is using equipment similar to mine, and if he writes intelligently, I will take more than usual notice of what he or she may say about the equipment under review. But "more than usual notice" is not a lot of notice, for me. I generally read the reviews only to find out what the gear looks like, what inputs and outputs it has, and what other features might be of interest to me, including features of the circuitry, where electronics are concerned, except most reviewers say nothing about circuit design other than to repeat the babble from the manufacturer's promotional literature, which is worthless crap.
Equipment that they would not pay full retail for or in some cases simply keeping the item for free.
Fact is that most of them have little deductive reasoning ability, limited experience, limited long term equipment that is really reference quality, and are just as prone to falling in love with a pretty new piece of equipment and manufacturer line of bull as the average audiophile. The number of really good listeners in the review field is very small.