Dave, I've settled on the basic unit, SG-200, which means I'm obliged to use my current preamp (Hovland HP-200 tube). So, not able to compare Soundsmith's more expensive dedicated line input energiser/preamps.
One thing I can categorically say is that even though the SG doesn't sound like digital, it has allowed my analog and digital front ends to converge.
What I mean is that it uniquely brings to analog replay aspects that I've only experienced thru the best digital ie notes rising from silence, minimal tracking errors, and natural decay into nothingness, BUT combining these with the best attributes familiar to lp replay ie exquisite tonality, transparency, and superior micro- and macro-dynamics.
The combination of digital precision and analog bloom is really enlightening.
One thing I can categorically say is that even though the SG doesn't sound like digital, it has allowed my analog and digital front ends to converge.
What I mean is that it uniquely brings to analog replay aspects that I've only experienced thru the best digital ie notes rising from silence, minimal tracking errors, and natural decay into nothingness, BUT combining these with the best attributes familiar to lp replay ie exquisite tonality, transparency, and superior micro- and macro-dynamics.
The combination of digital precision and analog bloom is really enlightening.