My new Soundsmith Straingauge cartridge


Well, after a bit of dillying and dallying, I finally got 'round to trying a home trial of this cart. After a couple of hours dialling in vtf, and esp. azimuth, it basically sold itself, and I bought it an hour later!
It's without doubt the fastest cart I've ever experienced, surpassing the Decca London Reference, but with none of that cart's tipped up 'whiteness'. But this blazing speed is combined with the natural sweetness of the Lyra Parnassus. It has the neutrality of the Transfiguration Orpheus with the dynamics and involvement of the ESCCo-modded Zu Denon 103. So, fast AND sweet, and neutral AND involving, combinations often too challenging for other so-called SOTA carts. All the carts I've mentioned I've had in my system over the years. But I admit, I haven't heard current contenders to the crown (Lyra Titan/Atlas, Ortofon Anna, Clearaudio Goldfinger etc) to make comparisons.
It's tracking really is superlative, 3d soundstaging/dimensionality is beyond the room constraints, and I really believe it has the least artifact-laden sound of any cart I've heard, with NO aural evidence of a diamond carving thru wax. It's really complimenting what's already a neutral, fast and dynamic analog rig in my system (Trans Fi Salvation direct rim drive tt/Trans Fi Terminator air bearing linear tracking arm)
spiritofmusic
Spirit, could you explain what you mean by "more ethereal than ever, but not at the expense of a realistic groundedness." I once used the terms "ethereal" and "grounded" to describe two completely different speaker systems, one quite diffuse, unnatural sounding and not at all convincing and the other quite natural and real sounding with a much better sense of foundation and presence.
I didn't mean to sound critical of your language, just trying to understand what you mean. You can ignore the question. Sorry.
Peter, sure. What I mean is that the opening up of the top end of the Straingauge via the RWA BL batt psu is resulting in an amazing "lightness" to music that I think can only now be achieved with crystalline extension of the treble.
If this was at the expense of a lack of power, bass extension, warmth and earthy tone of the lower frequencies, I would have been unhappy with a "wispy" quality. But these positive bass characteristics are all present, and in fact enhanced, leading to an amazing improvement top to bottom. So "ethereal" can co-exist with "grounded". As can "wispy" and "insubstantial/insipid".