I think it is easy to get caught up into the x format or source is the best, especially after the time, effort, and money that can be expended to be somewhat satisfied in the final results. I have been enjoying vinyl for about 50 years and have an excellent rig with great table/arm cartridge synergy, but maybe 10% of the pressings I have sound really good. First pressings seem to have a higher percentage of falling into this category. Audiophile remasters seem to be consistently mediocre. I have high res files that sound great and some that are mediocre, even redbook cds that are very good. 15 ips reel to reel masters are consistently the best if you can find them and have the cash to lay out. Even live events are very inconsistent. Hall acoustics, right seat, have good tech rehearsals been performed for the venue, Is the guy on the board setup backstage and asleep at the wheel, (pretty common for rock performances). The point for me is to build the versatility and synergy into my system to take advantage of the gem recordings available, in whatever format they may be. I don't find the format to be the determining factor in my ultimate enjoyment of the music, with the possible exception of a good reel to reel recording. I want to be able to take advantage of all of it.
HD Down Load compared to Analog.
Lately, I've been comparing HD Down loads to "analog". The obvious first advantage is no pops and ticks, but that's just for old records. Another advantage for me personally is that I don't have class "A" analog, I have class "B", which is very good. I still use Stereophile magazine's ratings of equipment as a way of conveying how good a piece of equipment is. While folks here put that method of conveying how good a piece of equipment is, they still concur with it, and they don't even know it.
Class "A" analog is the best, and it's always very expensive. You have to have 100% class "A" in the chain to yield class "A" sound, which is why I have Class "B".
In my comparison evaluation, I used Santana "Abraxas" as the test LP. Since I've worn out 5 copies of this album, to say I'm familiar with it is an understatement. "Singing Winds And Crying Beasts" is the first cut, it has "tinkly" sounding chimes that test definition on all equipment. After listening to a new LP, I gave it an "A" rating. This meant the HD Download would have to be some kind of fantastic to top the LP.
As soon as the music began, it became apparent the HD Download was superior; there was a "jet black" background. This is something I had never heard before. I'm fully aware of the fact that's an "oxymoron". "How can you hear what you don't hear, and you have never heard before". Only an audiophile can understand that, consequently, I won't try to explain it. After only two cuts, I gave the HD Download an "A+" rating.
While I have Class "B" analog, if you have Class "A" analog, it might be better than the Download, I don't know. These are the results from my comparison, I would like to hear yours.
- ...
- 63 posts total
- 63 posts total