HD Down Load compared to Analog.



Lately, I've been comparing HD Down loads to "analog". The obvious first advantage is no pops and ticks, but that's just for old records. Another advantage for me personally is that I don't have class "A" analog, I have class "B", which is very good. I still use Stereophile magazine's ratings of equipment as a way of conveying how good a piece of equipment is. While folks here put that method of conveying how good a piece of equipment is, they still concur with it, and they don't even know it.

Class "A" analog is the best, and it's always very expensive. You have to have 100% class "A" in the chain to yield class "A" sound, which is why I have Class "B".

In my comparison evaluation, I used Santana "Abraxas" as the test LP. Since I've worn out 5 copies of this album, to say I'm familiar with it is an understatement. "Singing Winds And Crying Beasts" is the first cut, it has "tinkly" sounding chimes that test definition on all equipment. After listening to a new LP, I gave it an "A" rating. This meant the HD Download would have to be some kind of fantastic to top the LP.

As soon as the music began, it became apparent the HD Download was superior; there was a "jet black" background. This is something I had never heard before. I'm fully aware of the fact that's an "oxymoron". "How can you hear what you don't hear, and you have never heard before". Only an audiophile can understand that, consequently, I won't try to explain it. After only two cuts, I gave the HD Download an "A+" rating.

While I have Class "B" analog, if you have Class "A" analog, it might be better than the Download, I don't know. These are the results from my comparison, I would like to hear yours.
orpheus10

Peterayer, analog will never be out of the equation; especially for those of us who value a deep sound stage, wide frequency and dynamic ranges, as well as high definition.

Enjoy the music.
Analog always had its limitations too, the biggest one, and consistent for a half century that I know of,is the industry's absolute lack of caring about the quality of the product they put out. After the death of the 8 track format, fortuneately in my opinion, casettes became the standard for car music. I recorded vinyl, like many of us, so I had cassetes for my vehicles. It was fairly simple to use the best quality tapes you could find, Maxell UDXL II was my favorite, find the loudest passage in the recording and set your VUs to record this at the maximum volume without audible distortion, so the quietest passage would record within the limitations of the media, and completely blow anything the industry was putting out on pre-recorded tapes out of the water. Even worse, they had access to the original master tapes.The same is true today of CDs, there is an audible difference in recording to the generic junk media the industry uses and recording to media that has been designed to maximize audio recordings, like the Taiyo Yuden audio CDs. The difference in cost between the 2 media is less than a dollar per unit. With a few exceptions, the industry just doesn't care about quality and hasn't for a very long time.
Petepappp, that was my favorite cassette tape too.

A strange discovery; why would a Download be better than a CD when both were the same technically in regard to 44.1KHZ/16 Bit? Maybe master tape access, I don't have an answer.

Enjoy the muhsic.