Hi Raul, I have not had a lot of different cartridges over the years- maybe 8 or 9; but I had a Koetsu Black that played it wonderfully until it became a bit worn. It still sounded great with other records so I just put the Appassionta away. Now my current cartridge, the Benz plays it perfectly. These two have been my favorite cartridges. I wore the Koetsu down to a nub almost. I still have it and keep planning to get it retipped. I enjoy the Benz so much that I haven't gotten around to it. I think the Benz cartridges (I have had two of them) and the SME tonearms are a great combination. Couple that with a tube preamp and it is hard to leave the room.
Most demanding passages for a turntable & system
Analog setup: Technics SL1210 with KAB re-wire, RCA plate Cardas Litz RCA, Shelter 501II, Krell KPE Ref pre.
Cartridge weight set @ 1.2, anti-skate @ 1.0. Arm height @ 2.1 on the scale.
I've always used Emerson Lake & Palmers 1st LP to strain the heck out the the setup. The last song on side one "Knife-Edge" ends in a passage that absolutley will work the analog setup to its extreme. Also a passage on side 2's "Three Fates" comes a very close 2nd.
"Dark Side of the Moon" aint bad,but not that streneous on the turntable setup I think.
What do others use to really give the turntable "the ol' acid test", so to speak?
-John
Cartridge weight set @ 1.2, anti-skate @ 1.0. Arm height @ 2.1 on the scale.
I've always used Emerson Lake & Palmers 1st LP to strain the heck out the the setup. The last song on side one "Knife-Edge" ends in a passage that absolutley will work the analog setup to its extreme. Also a passage on side 2's "Three Fates" comes a very close 2nd.
"Dark Side of the Moon" aint bad,but not that streneous on the turntable setup I think.
What do others use to really give the turntable "the ol' acid test", so to speak?
-John
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- 27 posts total
- 27 posts total