Have cables become somewhat of a snake-oil topic.


I've invested many tens of thousands in high end 2-channel home audio gear and cables. I'm also a musician who has recorded and created mixes in many of the top recording studios in LA, NY and Nashville. These studios most often use the highest quality power treatment, tube condenser microphones, pre-amps, EQ modules, AD/DA converters, compressors, monitors, etc. Obviously, the goal in a recording studio is to capture the realism of the live studio performance for both vocals and instruments, and create a final mix-down that highlights the natural subtle nuances of the performances of each musician.

With that said, my 20 years of informal research inside these studios says that virtually NONE invest in high priced specially stranded balanced interconnects or speaker cables. Instead, various models of a particular Japanese cable is considered the studio "gold standard" and is WIDELY used in the top studios across the country. Now any good mixing engineer is at least AS interested as any audiophile, in all the audio characteristics and variables we discuss ad nauseum in these A-gon threads. So if recording pros are willing to spend hundreds of thousands on electronics and speakers, to capture the natural and neutral sound of a musician's studio performance, why is it that expensive cabling is seen as the snake oil equivalent in the recording industry. (Moreover, I could go one step further and ask why some home audio D/A converters far exceed the cost of the most sought after professional studio D/A converters?.......we'll leave that for another discussion.)

I DO NOT disagree that substituting a Nordost, Siltech, Cardas or various other high end brands into my personal studio rig do not make a difference. There are indeed audible differences between the brands in terms of bass extension, smoothness, imaging, graininess, etc. However, these DIFFERENCES are not necessarily equivalent to an IMPROVEMENT in capturing the natural/neutral details of a given performance.

(I intentionally will not address the mastering process since that has everything to do with radio and marketing execs commercial sales expectations, rather than a true to life presentation of the musical performances.)
jymc
Post removed 
I don't think any of us are suggesting that wires do not sound different -- or that anyone is anything but welcome to, and in fact encouraged, to have and express perfectly legitimate preferences. At any price point, or across them all. Absolutely.

Question is, if virtually all microphones used to record whatever it is that we are listening to are wired with the Mogami Gold Studio Mic XLR cables -- before anything is mixed or mastered or anything else, the purest, rawest most primary source recording that will ever exist of a given event, delivered by this wire -- then what exactly is some other wire plugged into the playback chain changing, or adding, or whatever? I don't profess to have an answer, but worth being precise about the quesiton.
Well stated Mezmo.....you hit the nail square on the head. All this audiophile talk about no coloration, neutral sound, sound staging, etc is an entirely SEPARATE issue from using a cable OR electronic component for the sole purpose of creating a particular sound characteristic that one may personally enjoy, although which MAY OR MAY NOT sound real and natural. This becomes a subjective perception decision for each of us.
A few comments - professional endorsements on the Shunyata website for consideration

Vienna Philharmonic Orchestra
Along with the New York Philharmonic, the Vienna Philharmonic Orchestra is regarded as arguably the finest and most skilled group of musicians in the world. With multiple recordings to their credit and complete sound studios the Vienna Orchestra treat every portion of their performances and recordings with extreme care and attention to detail.

After learning of the reputation of Shunyata Research products throughout Europe and within other top recording studios, executive Peter Poltun sought out samples of Shunyata products for testing. Their results followed those of every other studio that has evaluated Shunyata Research products.

"All of us associated with the Vienna Philharmonic Orchestra are extremely pleased with the results gained from using the Shunyata Research Hydra and power cords in our reference recording studios. These outstanding, musical products have enhanced our recordings and made it easier for our musicians to hear the detail of their instruments!"
-- Peter Poltun, Vienna Philharmonic Orchestra

Grammy Winning Mastering Engineers James Guthrie and Doug Sax
The reputations of Mastering Engineers Doug Sax and James Guthrie are beyond reproach.

They are two of the most prolific and sought after mastering engineers in the recording industry, and their body of work is legendary.

Doug Sax's work includes recordings by James Taylor, Pink Floyd, Dire Straits, Alison Kraus, Diana Krall, Linda Ronstadt, Tom Waits, Aaron Neville, Chris Isaak, Ray Charles, Chet Atkins and countless others. James Guthrie's resume is no less impressive, having been credited with work on 6 Pink Floyd albums and dozens of popular recording artists.

James and Doug learned of Shunyata Research's products through David Gilmour's Astoria recording studio in the United Kingdom. After listening and recording with Shunyata Research products, both Guthrie and Sax were so impressed that they installed Shunyata products into their Sonoma digital mastering chain. Shunyata Research products were most recently utilized at Guthrie's Das Boot Studio for the re-master of Dark Side of the Moon on Sony's SACD format.

"As studio owners, we are regularly exposed to numerous 'quality enhancement products' and have naturally become cautious and very selective; you rarely achieve an audible improvement without somehow adversely affecting another element in the audio chain. We have been using Shunyata power cables at my studio for some time now. Careful placement of the cables has resulted in reduced distortion, improved clarity, better low level detail and richer 3-dimensional depth in the soundstage. The Anaconda PowerSnakes, for example, have transformed our Sonoma system, used during the mastering process for the new 5.1 mix of 'The Dark Side of The Moon'. I look forward to trying the Hydra AC distribution next. Highly recommended."
-- James Guthrie, Grammy award winning Producer/Engineer (Pink Floyd)

SkyWalker Sound (Lucas Films)
Easily one of the most complete and lavish film and recording studios in the world, SkyWalker Ranch needs little introduction. SkyWalker Sound is the division of SkyWalker Ranch responsible for all audio, sound-effects, post production audio, IMAX sound and multi-format audio. SkyWalker sound has garnered 14 Academy Awards since its inception, as well as multiple media awards for quality and sound innovation. SkyWalker Sound is also a complete scoring and recording studio that records renowned artists such as Amy Grant, Herbie Hancock, Faith Hill and countless others.

Principal recording and scoring engineers Tim McGovern and Clayton Wood evaluated Shunyata Research's products within their scoring and recording systems, and found them to dramatically reduce noise and buzzing that was obvious prior to the Shunyata application. SkyWalker Sound is now using Shunyata Research products within their scoring stages and playback/testing systems.

“We first put the Hydra to test on a monitor system that had problems with noise and clarity. The result was less noise with an improvement in overall sound quality. We now use the Hydra's on our Model 2 converters, AES router and main monitor system consisting of B&W 802 speakers and Chord Amps.“
-- Clayton Wood, Senior Engineer: SkyWalker Sound

Grammy Winning Record Producer Rick Rubin
As a multiple Grammy winning music producer of recording artists such as Tom Petty, Red Hot Chili Peppers, Johnny Cash, Jay Hawks, Neil Diamond, Public Enemy and many others, Rick Rubin has earned his reputation as the most versatile and gifted producer working in the music and recording industry.

Rick Rubin encountered Shunyata Research products in many rooms at the CES trade exhibits in 2004, and inquired about an evaluation. After extensive testing and comparisons, Rick adopted Shunyata Research's products for use in his home listening, testing and recording systems. Rick remains one of the most outspoken advocates for Shunyata Research products within the studio and recording community.

"Shunyata Research power cables and interconnects made a remarkable difference in my reference system. The PowerSnakes power cables added effortless muscularity, control and wide-open clarity to the amps driving my speakers. These are not subtle tweaks. I would guess the amps sound 15 percent better -- a far bigger difference than any speaker cables have made and in many cases, as unbelievable as it may seem, a greater improvement than changing the whole front end. I could not recommend them highly enough."
-- Rick Rubin, Grammy winning Record Producer

Astoria Studio (Pink Floyd)
Located in the United Kingdom, Astoria Studio is widely recognized as one of the most respected recording studios in the world. Owned by David Gilmour of Pink Floyd, Astoria has served as recording venue to some of the most renowned recording artists in the music industry. Anyone familiar with the state-of-the-art production values on Dark Side Of The Moon, Wish You Were Here, Animals, The Wall, Momentary Lapse of Reason, The Division Bell, and David Gilmour in Concert 2002 DVD, can appreciate the meticulous nature with which the Pink Floyd albums are put together. Astoria Studio's principles are renowned for reviewing every aspect of their recording chain continually. It was this perfectionist approach that led Astoria to seek out and implement Shunyata Research's Hydra power distribution systems, PowerSnakes power cables and Aeros Series signal cables to their state-of-the-art recording equipment. Astoria's principle engineers actively endorse Shunyata Research products to other studios and mastering engineers and have paved the way for may subsequent Shunyata studio applications.

"We conducted a series of listening test to both the Shunyata cables and the Hydra power conditioner. Our comparison point included both standard mains cables and other esoteric cables. We found that both the Shunyata cables and the Hydra gave the best results by some margin."
-- Phil Taylor, Studio Manager: Astoria Studio, UK

"We were particularly impressed with the sense of phase coherence that Shunyata products delivered, giving noticeably better imaging, depth and clarity. We tried many different areas of our signal path, all benefited. With digital sources it was almost as if we had switched from 44.1k/16 bit to 96k/ 24 bit. We now run all our analogue machines, workstations and the mixing console from the Shunyata equipment."
-- Andy Jackson, Senior Mastering Engineer: Astoria Studio. UK

Sony Music (New York) Mastering
Sony Music in New York is one of the United States most respected recording, mastering and post-production studios. Sony Music's Mastering icons Vlado Meller and Steven Epstein thoroughly tested Shunyata Research products with their Recording and Mastering systems and were immediately impressed with the significant reduction in background noise. Both Vlado Meller and Steven Epstien have since added Shunyata Research products as a part of their mastering and sound check systems.

"I have personally evaluated the Hydra power conditioning system along with your PowerSnakes power cables. I was very impressed with the results. Shunyata Research products are now part of my equipment set up. Especially, with my 2 track tape machines, the sound with your system was definitely more transparent and clear. I would highly recommend Shunyata Research products to any professional audio/video facility."
-- Vlado Meller, Senior Mastering Engineer: Sony Music Studios, New York

DMP Records, President Tom Jung
Since 1983 DMP has been producing the finest quality recordings for jazz lovers and audiophiles alike working with seminally gifted, but under appreciated musicians. In a world of over compressed and over processed recordings, DMP's live-minimalists recording approach captures critical nuances and natural dynamics using the most direct and pristine electronic signal path possible. The result is a refreshing and honest representation of great musicians playing music together in the same room at the same time.

"I have been very skeptical of power related tweaks above and beyond good basic engineering practices like wire sizing, proper grounding and good solid connections. That said I tried to be open to the merits of the Shunyata approach regarding power management. After living with various power cables, outlets and Hydra AC distribution systems for several months while working on my DMP Archive Project, I can honestly say that Shunyata Power Systems do contribute to a more solid, focused and accurate sonic picture."
-- Tom Jung, President: Digital Music Products Inc.

Stephen Epstein: 12 Time Grammy Winning Record Producer
Stephen Epstein is one of the most recognizable names in the professional recording industry. His stellar talents are showcased with Classical recording legends such as Yo Yo Ma, Wynton Marsalis, Isaac Stern, Itzhak Perlman, Placido Domingo and countless others. He has earned a near record total of 12 Grammy awards, 6 for Classical Producer Of The Year.

Stephen became aware of Shunyata Research products because of fellow record producers and mastering engineer at Sony music New York, Vlado Meller. Stephen contacted Shunyata Research directly to inquire about an evaluation. The products performed as expected and Stephen purchased an entire power distribution system.

"For many years, I've tried and tested power conditioners by major manufacturers with varying results. I'm pleased to say that I can now put my search for the elusive optimal AC conditioner to rest. The Hydra Model-8 and Hydra Model-2 power conditioners coupled with Shunyata's power cables have provided me with an extremely clean and transparent foundation by which I can check and approve test pressings with full confidence."
-- Steven Epstein, 12 time Grammy winner 6 time Grammy winner: "Classical Producer Of The Year”

Phillips' Crest National Studios
Located in Hollywood California, Crest National is one of the largest music and film industry studio chains in the United States. Crest National consists of motion picture film labs, digital restoration services, DVD authoring and design, editing, sub-mastering and media encoding, among a host of other professional services. They are a partner of Philips International and remain one of the world's top providers of DVD Audio and CD replication. Due to their exceptional reputation and prolific manufacturing capability, Crest National was selected by Philips to be the only United States SACD replication plant.

Crest National's fanatical dedication to quality control led them to construct a state-of-the-art 5.1 channel quality control playback studio. Crest spared no expense to obtain the finest electronics from Halcro (amplifiers), Meitner Labs (switching controls) and Eggleston Works (speakers). Based on the recommendations of top studio executives and mastering engineers, Crest sought out an evaluation of a complete Shunyata Research power and signal cable system. At the conclusion of their testing, Crest purchased Shunyata Research's entire system of power and signal distribution products, and commented on the significant impact Shunyata products had on the resolution of their state of the art system.

"I've run out of words to describe the effect Shunyata Research has had on the SACD experience in our studio. From the mass and quality of the Hydra power distribution center with it's dynamic openness, the clarity gleaned from the Anaconda Alpha/Anaconda VX, and the direct detail obtained from the interconnects and speaker cables. Shunyata Research has put a very positive signature on Crest National's, Hollywood reference listening experience."
-- Jon Truckenmiller, Sr. VP Engineering: Crest National Studios

Look Out Sound Studios
Upon casual inspection, one might wonder whether Look Out Sound Studios was named after its scenic Montana surroundings or its astounding recording facilities. An overview of Lookout's principal mastering and playback systems will make the name far less ambiguous. Look Out owner Brett Allen spared no expense in assembling the finest Direct Stream Digital recording systems and playback equipment in the world. Lookout utilizes the state-of-the-art Genex DSD hard drive systems, as well as the Solid State Logic 9048K XL, the top 5.1 analog mixing console in the world. Look Out sports the finest recording, mastering and playback equipment, including multiple pairs of Wilson Audio's Statement speaker systems, the X2 Alexandrias. Halcro amplification and digital playback systems from Meitner labs complete Look Out's monitor and playback systems. The name Look Out is obviously intended to serve notice that reference-quality recording and mastering is alive and well in Montana.

Lookout's Bret Allen was referred to Shunyata Research power-systems by the principals of Halcro, Wilson Audio and VTL, who use Shunyata products within their own testing and playback systems. After extensive tests and comparisons, Look Out Studios purchased an entire series of Shunyata Research power-system products based on the performance they offered within recording and playback systems.

"We are using various Shunyata products to further our quest for the best signal path in tracking, mixing, and mastering. The Hydra Model-2 and Hydra Model-6 on various vintage guitar amps and vintage analog keyboards have made a world of difference in clarity and punch. We are using the Python line for our 24-track tape machine, DACs, tube preamps, and tube microphone power supplies. On the power amps we have the Taipan line. Again I have noticed more definition in the transients. Overall I think that Shunyata products are an integral part of taking the critical listening system to the next level."
-- Brett Allen, Studio Manager: Look Out Sound Studios

Lacquer Channel Mastering (Canada)
Considered Canada's premier mastering facility, Lacquer Channel works with many of the world's most renowned recording artists, including U2, Bryan Adams, Holly Cole and many others. These top artists sought out Lacquer Channel because of their reputation as Canada's most well-equipped and professional recording and mastering facility.

Lacquer Channel mastering engineer Phil Demetro discovered Shunyata Research products through a local dealer, and discovered that the Hydra and PowerSnakes products significantly improved the resolution of their mastering and playback systems of which they are now a permanent part. Lacquer Channel actively recommends Shunyata products to their contacts in the mastering and recording industries.

"After trying numerous top shelf brands of power distribution and IC's for my mastering facility, only the Shunyata Research Hydra's and PowerSnakes remained as a vital part of my signal path and playback system. It's never been so easy to achieve the great sound that I have been striving for -- I no longer have to reach for my equalizers to find space for the details that I now have in spades. Lower noise levels let me get deeper into a mix without sacrificing power to my equipment. No anemic sounds here! Just music that always sounds right. I want to re-master my whole discography now!"
-- Phil Demetro, Mastering Engineer: The Lacquer Channel, Toronto

Sony Music (Japan) Mastering Facility
The name says it all. At the very top level within Sony Music recording and mastering labs, no one is more exacting, more obsessive about sound and performance than the men in charge of their recording and mastering labs. Everything must be perfect, and cost is no object when it comes to recreating music and sound that is true to life.

The top Japanese executives from Sony Music were exposed to Shunyata Research products during James Guthrie's re-mastering of Dark Side Of The Moon for SACD at Guthrie's Das Boot Studio. Mastering engineers Guthrie and Doug Sax endorsed Shunyata Research products to the principle executives from Sony Music, and facilitated the loan of Shunyata products for testing within Sony's Mastering systems. After lengthy testing, a series of Shunyata Research power-system products were purchased for use in Sony Music's mastering facilities. All music mastered within Sony Music's Japanese facility is now being mastered using Shunyata Research power-system products.

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Memory Technology (Japan)
Memory Technology is the largest CD/DVD manufacturer in Japan and one of the largest in the world, with over $100 million annual sales. Memory Technology is part of the largest trading firm in Japan, and also owns and runs music and video production companies.

Memory Technology became aware of Shunyata Research products through Japanese Music Industry contact Maiko Nagae. After critical evaluations were performed, Memory Technology ordered Shunyata Research power-system products for use in their top testing and production systems.

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Peter McGrath
Peter McGrath is widely recognized as one of the most accomplished recording engineers working in the world today, with a resume of recordings and top recording artists dating back some thirty years. Peter also manages the east coast sales division for premier US speaker manufacturer Wilson Audio.

Peter McGrath thoroughly tested Shunyata Research's Hydra power products and found them to significantly enhance the resolution of his playback and recording test systems. Peter continues to use Shunyata's Hydra products in both his home and with his recording work. He considers them indispensable to achieving the best sound possible

New Jersey Philharmonic Orchestra
"To put this into context, I am a trustee of the Philharmonic Orchestra of New Jersey. I have played several instruments and now frequently listen to live jazz and classical instrumental and vocal performances. My goal in a stereo system is to reproduce the actual performance and its environment as closely as possible. I am a skeptic about power cords (and other wirey stuff) and I rely on my ears to tell me what is real.

So I plugged the Shunyata power cords (Taipans and Copperheads) into my system, put on a choral disk and sat back anticipating the effort that may be required to hear any subtle difference they might make. I was shocked with amazement. It took no more than listening to the first few bars of the opening chorus to hear the dramatic difference in sound quality these power cords allowed within my system. I tried another disk, same impact, then another, same impact... and they were not even broken in yet.

Here is what I heard: The most dramatic effect was an improvement in transduced acoustics. Previously I heard vocal or musical instruments that sounded excellent but were missing something relative to a live performance experience. Now I heard harmonic depth within and between voices and instruments that provide the richness and stage presence of a live performance. Now the individual voices and instruments interact with one another as in real life. Now I easily heard the small echoes, reverberations and other cues (some people call this inner detail) associated with a live performance space that were previously absent. The speed of dynamic changes in percussion instruments (attack) were also improved to better resemble a live performance.

All in all, the system now produces an audio hologram that much more closely approximates a live performance. Thanks for your recommendation of this excellent product."
-- Doug Munch, New Jersey Philharmonic Orchestra

"All of us associated with the Vienna Philharmonic Orchestra are extremely pleased with the results gained from using the Shunyata Research Hydra and power cords in our reference recording studios."
-- Peter Poltun, Manager: Vienna Philharmonic Orchestra

"The Anaconda PowerSnakes, have transformed our Sonoma system, used during the mastering process for the new 5.1 SACD mix of 'The Dark Side of The Moon'."
-- James Guthrie, Grammy award winning Producer/Engineer (Pink Floyd)

"We now use the Hydra's on our Model 2 converters, AES router and main monitor system consisting of B&W 802 speakers and Chord Amps."
-- Clayton Wood, Senior Engineer: SkyWalker Sound

"I could not recommend Shunyata Research products highly enough."
-- Rick Rubin, Five-time Grammy nominated Record Producer

"With digital sources it was almost as if we had switched from 44.1k/16 bit to96k/24 bit. We now run all our analogue machines, workstations and the mixing console from the Shunyata equipment."
-- Andy Jackson, Senior Mastering Engineer: Astoria Studio

"I would highly recommend Shunyata Research products to any professional
audio/video facility."
-- Vlado Meller, Senior Mastering Engineer: Sony Music Studios, New York CLICK FOR MORE INFO

"I can honestly say that Shunyata Power Systems do contribute to a more solid, focused and accurate sonic picture."
-- Tom Jung, President: Digital Music Products Inc.

"Shunyata Research's power distribution products have provided me with an extremely clean and transparent foundation by which I can check test pressings with full confidence."
-- Steven Epstein, Producer, 12 time Grammy winner

"I've run out of words to describe the profound effect Shunyata Research products have had on the SACD experience in our studio."
-- Jon Truckenmiller, Sr. VP Engineering: Crest National Studios

"Overall I think that Shunyata products are an integral part of taking the critical listening system to the next level."
-- Brett Allen, Studio Manager: Look Out Sound Studios

"I no longer have to reach for my equalizers to find space for the details that I now have in spades. Lower noise levels let me get deeper into a mix without sacrificing power to my equipment. No anemic sounds here! Just music that always sounds right. I want to re-master my whole discography now!"
-- Phil Demetro, Mastering Engineer: The Lacquer Channel, Toronto

"...the system now produces an audio hologram that much more closely approximates a live performance. Thanks for your recommendation of this excellent product."
-- Doug Munch, New Jersey Philharmonic Orchestra
Jymc, Just the fact no recording studios you're familiar with use expensive cables, it doesn't mean it won't make a difference. Since you're in the recording business, have you ever compared recordings with different cables?

Bottom line is it doesn't matter anyways. Since we/audiophiles all have different systems, taste ... we are going to use whatever sounds best in OUR systems. Believe it or not, there is an agon member that runs his cables, power conditioners ... in a series to archieve the desire effect. Who am I or anyone tell him it's wrong? Maybe his components need a little dampening?

All this audiophile talk about no coloration, neutral sound, sound staging, etc is an entirely SEPARATE issue from using a cable OR electronic component for the sole purpose of creating a particular sound characteristic that one may personally enjoy, although which MAY OR MAY NOT sound real and natural. This becomes a subjective perception decision for each of us.
No audiophile with 1/2 a brain would believe it. Everything has a sonic characteristics ... even a Lightspeed attuenator! LOL!!!

03-20-13: Elizabeth
I am suprised no one sells cables with the braand name of "Snake Oil". They would have tons of free marketing.
Me Me Me ... Great idea! Sick of my career so maybe I should get into the cable business :-)