Sugarbrie is right Zander has done some masterful stuff. I met him a couple of years ago in Boston. Terrific person as well as a legendary conductor.
Zander produced a CD of Mahler's 3rd with the Boston Philharmonic which includes a bonus CD with Zander's detailed verbal explanations highlighting all the complexity and detail of this work.
Others;
Telarc's recording of Rachmaninov's 2nd and 3rd (Guitierrez) is also awesome. (basically any Telarc recording is of very high standard)
Lorin Mazel and Cleveland Orchestras 5th by Shostakovich
Christopher Hogwood/Academy of Ancient Music did some brilliant stuff in the past. (Mozart Mass in C Minor K427, Requiem K626, Eine Kleine Nachtmusik K525, Mozart Symphonies 40 and 41, Exultate Jubilate with Emma Kirby, Bach Double Concertos, for example)
If you don't have already, you should have Mussorgsky Pictures of an exhibition, Grieg Peer Gynt, Borodin Polovstian dances, Rimsky-Korsakov Scheherazade, and, of course, the usual well known fare of Chopin, Beethoven, Strauss, Kachaturian, Handel, Tchaikovsky, Prokofiev...just to name a few. I can't recommend a particular recording for these....but once again Telarc is a safe bet....my experience with Reference Recordings is limited to jazz fare and it was NOT good at all....so I don't recommend those.
Another thing to try is film soundtracks from composers like Zimmer, Williams, Elfman, Howard Shore... these are recorded with BIGGER budgets than many classical fare and for Cinema quality theatre systems....i.e. big dynamic range, good low frequencies and good overall quality. Sound may be a little over powering at times, however, movies not being known for delicacy...
Here is a link about Telarc...
http://www.zioshow.com/view.php?id=1159&area=1
Zander produced a CD of Mahler's 3rd with the Boston Philharmonic which includes a bonus CD with Zander's detailed verbal explanations highlighting all the complexity and detail of this work.
Others;
Telarc's recording of Rachmaninov's 2nd and 3rd (Guitierrez) is also awesome. (basically any Telarc recording is of very high standard)
Lorin Mazel and Cleveland Orchestras 5th by Shostakovich
Christopher Hogwood/Academy of Ancient Music did some brilliant stuff in the past. (Mozart Mass in C Minor K427, Requiem K626, Eine Kleine Nachtmusik K525, Mozart Symphonies 40 and 41, Exultate Jubilate with Emma Kirby, Bach Double Concertos, for example)
If you don't have already, you should have Mussorgsky Pictures of an exhibition, Grieg Peer Gynt, Borodin Polovstian dances, Rimsky-Korsakov Scheherazade, and, of course, the usual well known fare of Chopin, Beethoven, Strauss, Kachaturian, Handel, Tchaikovsky, Prokofiev...just to name a few. I can't recommend a particular recording for these....but once again Telarc is a safe bet....my experience with Reference Recordings is limited to jazz fare and it was NOT good at all....so I don't recommend those.
Another thing to try is film soundtracks from composers like Zimmer, Williams, Elfman, Howard Shore... these are recorded with BIGGER budgets than many classical fare and for Cinema quality theatre systems....i.e. big dynamic range, good low frequencies and good overall quality. Sound may be a little over powering at times, however, movies not being known for delicacy...
Here is a link about Telarc...
http://www.zioshow.com/view.php?id=1159&area=1