Is music quality moving away from the "audiophile"


I recently read an interesting post on the production of the new Metallica album and how its sound has been catered to the Ipod generation. Formatting the sound of the album toward the ipod itself. With computer downloads, mp3's etc, etc. it seems that "compression" over quality is becoming the norm.

In the Metallica example, I have been a fan since 84. Now, i know they are not a good example for the so called "audiophile", but that being said the production on this album is terrible. Actually, worse than their previous album St. Anger. Who makes the call on this? The band, engineer, record company? A combination of all?
zigonht
It's not a big problem for me. I turn down the treble a bit, goose up the bass, and then enjoy the music! It is amazing what an EQ can do for compressed recordings. It doesn't make them perfect of course, but I listen for the music and not the recording quality anyway.

Arthur
Post removed 
Compression is generally part of the mixing or mastering process (often both). I can't blame most artists for doing whatever it takes to appeal to the iPod generation - I would be doing the same thing myself. However, there are still plenty of good recordings being put out, though they aren't the easiest to find. The latest Lindsey Buckingham album is a good example; it was recorded, mixed, and mastered on analog tape with no compression. The CD version sounds great, but the vinyl is divine and his virtuosity on the guitar is readily evident.

In your example of the latest Metallica release, try to get your hands on the Guitar Hero version of the album - it is uncompressed. That's right, the version made for the video game is better for audiophile level equipment. Why? Likely they didn't spend the time and money on mixing/mastering for that version than on the commercial release.