ZZ top's Greatest Hits Cd has a lot of tracks with very low bass that can really rattle a room. Also Via Las Vegas has some nifty sonics contained within it.
Big bandfs come to mind as well, and the one's I like to play for people are:
Illinois Jacquette "Jacquetes Got It"
Gordon Goodwin's Big Phat Band "Swingin' for the Fences" & "XXL"
Johnny Nocturne Band "Million Dollar Secret"
Larry Carlton's "Sapphire Blue" is a killer front to back.
Milt Jackson's "burning in the Woodshed" is super and his vibraphone never sounded better amidst his bands covers of some pop & jazz standards.
Santana also puts out some great low end noise on both "Supernatrual" & "Shaman".
Fourplay's "heartfelt" will show off your rig top to bottom with Bob James' & Larry Carlton renditions of jazz on acid.
Quincy Jones' "Q's Jook Joint" runs the gamut of RB soul and is a lot of fun cover to cover containing and exhibiting all those audiophile traits one wants to have on tap... imaging, pace, extension, noise floor, etc., as do most of those named above.
Big bandfs come to mind as well, and the one's I like to play for people are:
Illinois Jacquette "Jacquetes Got It"
Gordon Goodwin's Big Phat Band "Swingin' for the Fences" & "XXL"
Johnny Nocturne Band "Million Dollar Secret"
Larry Carlton's "Sapphire Blue" is a killer front to back.
Milt Jackson's "burning in the Woodshed" is super and his vibraphone never sounded better amidst his bands covers of some pop & jazz standards.
Santana also puts out some great low end noise on both "Supernatrual" & "Shaman".
Fourplay's "heartfelt" will show off your rig top to bottom with Bob James' & Larry Carlton renditions of jazz on acid.
Quincy Jones' "Q's Jook Joint" runs the gamut of RB soul and is a lot of fun cover to cover containing and exhibiting all those audiophile traits one wants to have on tap... imaging, pace, extension, noise floor, etc., as do most of those named above.
