I've never seen a paper from, or attended a course in the fields of Science or Electrical Engineering that addressed the issues of the very complex waveforms, timing, timbre, harmonic and ambience cues that comprise a musical signal being transmitted through metals, and/or connections. Nor do either of those supposed authorities really have a handle on what might be taking place on the quantum level, vis-a-vis electron flow. Testing is invariably done with relatively simple signals, generated by equipment that I'd never listen to on my system. Testing done, and empirical data collected by, listening to actual music is scoffed at. That doesn't surprise me in the least as there are multitudes in this world that are unable to hear, recognize or(perhaps) admit the differences/improvements that result from our innovations and tweaks. Look at the following that Julian Hirsch had during his tenure at Stereo Review(what a joke!). Unless the surfaces of two connectors are custom machined or ground to obtain perfect/100% contact with one another: Signal transfer will never be as good as it could be. I've not seen any audio component manufacturers take that kind of trouble when designing their ware. It doesn't take a rocket scientist to understand that an application, filling whatever voids exist between two contacts with the best conductor know to science(ie: SST's silver flakes), will enhance signal(or in the case of our power sources: 120V/60Hz electrical) transfer. PS: Placebo Babble be damned!!