Why has audio become so specilized over the years?


I got involved in audio in 1971 when I bought my first system: Sherwood 7100 receiver (there was no remotes to my knowledge yet for receivers); Garrard SL95B turntable with some level of Shure cartridge. A pair of Rectilinear 11 bookshelf speakers.. I was given 30 ft of free zip cord speaker wire the by the audio dealer

There was no IEC input on the receiver or even a perceived need to acquire a better PC. I used a dipole antenna for FM reception, and placed the turntable on a floor to ceiling open shelf system, and one speaker on each side of the wall with an entry door to the livingroom. It sounded good and provided satisfying music Six months later, I added a Dynaco Quad adapter box, and a pair of Avid speakers for the back channels to experience surround sound.....Primitive by today's standards of specialized after market upgrades

Granted, today audio systems's provide greater fidelity of sound, and operational flexibility. Think about it. Most if not all members of AG have either quality separates or a quality integrated amp. Many have replaced standard PC's with medium to expensive ones. Speaker wire is no longer zip cord, or even Home Depot 12 gauge cable, but one brand of a variety of speaker cables boosting state of the art materials, and esoteric outer coverings to eliminate signal loss and RF contamination.

(Some).....turntables, which have made a comeback in recent years, offer an outboarded motors and power supplies. Plinth materials are exotic to insure good to excellent isolation from vibration. Tonearm and TT compatibility has been elevated to a science, and equally, cartridge and tone arm interfacing is crucial.....no more guessing or working from outdated calculations....

20 years ago, (even as short as 10 years ago) built-in phono stages were a given in both pre-amps and most integrated amps. Today, the better pre-amps are line stages requiring a outboarded phono box or phono pre-amp, (or optional uninstalled MM/MC phono cards) often with the option of a separate supply

Though not a frantic trend yet, monoblock amps are often the preferred choice of amplification of some audiofiles; however, one box stereo dual mono amps lead the market. Lastly, the advent of the miraculous one box CD player, has now been given way to outboarded DAC's and separate transport

Without speculating too deeply on these developments, there is one given that is irrefutable, after market product specialization has created a total separate audio market which is typical of and necessary for a healthy for capitalist economy.....the law of supply and demand, and new markets

Against this modest introduction, I would like to get opinion and comments from members, (especially members with large and elaborate systems) as to how much more specialized will/can audio become??? And will future changes occur for reasons of user operational efficiency and comfort, or for the continual improvement in music reproduction. Consider the growing and obsessive movement taking place regarding "music sourcing", that is, music provided from uncompressed computer music files, various Music Server Services, and Music Server Organizers, like Soloose, and other similar products. Maybe, like the predictions of the end of history in the 1980's, we are about to experience the "END OF (TRADTIONAL) AUDIO"

PS, I am beginning to hate my own modest assortment of outboarded boxes and specialized speaker and IC cables....However, they can usually provide beautiful music depending on my mood and the the barometric pressure exerted on the eardrum which affects how we hear. Thanks, Jim
sunnyjim
I got involved in audio in 1971 when I bought my first system: Sherwood 7100 receiver (there was no remotes to my knowledge yet for receivers); Garrard SL95B turntable with some level of Shure cartridge. A pair of Rectilinear 11 bookshelf speakers..
for 1971, this was specialized, if you do not recognize this! not everyone was going to the audio store to get this sort of equipment to listen to music.
Audio was always specialized - my vintage Yamaha integrated amp cost $800 in 1977! how many could afford that back then?
what's wrong with your way of thinking is that you're comparing the complexity of today's equipment with that of 1971's. That's an apples to oranges comparison. The gear of 1971 was specialized for 1971 & used whatever best level of integration (discrete or IC) that was the SOTA at that time. Looking back, it looks like that gear was simplistic.

And, the evolution of audio is like any other industry. For example, in 1903 you can see what the Wright brothers' aeroplane was & today you know the complex F16/F18/F22 fighter jets the USAF flies. Another example, look at Ford's Model T back then & then look at today's complex Lamboghini/Ferrari, etc, etc.

So, my counter question to you is: Why has the aircraft industry & the automobile industry become so specilized over the years?

IOW, use you mind to think a little about the subject rather than just posting a question. A thinking will not hurt you (unless you are one of the 3 stooges who said "I think but nothing happens!").

Bombaywalla, Good point. What you call complexity I call choices, but it is the same thing.

In general, if you think about life about 50 years ago anybody could comprehend world around. You could understand "how is it done" from electronics to medicine. Today's world is so complex that in order understand things you need to get a degree. Nobel prizes in science are awarded in recent years to groups and not individuals. World we live in is becoming extremely complex. When I was 5 I was playing with wooden puzzles while my 5 year old grandson, was navigating internet without help.
I managed Radio Shack #3934 July '78 till May '80....it was company policy for us to work 6 ten hour days....saved the catalogs though, great memories!
I just think it's basic evolution with designers coming up with many new solutions and options for good sound than we ever had back in the good old days. Certainly there are a lot more choices for sources and digital technology has flourished.

Now I'm using digital room correction, which at the moment is not that cheap but it is affordable by many who frequent this site. Given the amount of improvement it made in my listening room I believe this is the future of where hi-end audio is headed. All I know is that I'm hooking up more sources and enjoying my music more and more... and also playing it more often... like right now as I write this. :)
Love the RS catalogs. Fischer receivers with current values on the order of $4000. That is the most expensive I noticed in my short look, but it gives some perspective.