Newbee,
I have no idea what your LOL means. So I will return it in good humor. LOL.
I am assuming the following:
1. That John Atkinson's equipment is working when he takes measurements.
2. That Mr. Fremer and other reviewers are reporting accurately what they hear.
If we cannot assume these 2 basic things then there is no point in this whole exercise because everything becomes smoke and mirrors and nothing can be believed. If you start to question "valuations" of observations of what others report you can turn anything in any direction you wish. IMO.
I believe emphasizing JA's integrity is misplaced here. This is simply the way they do things at Stereophile. Integrity is part of their work, not something that would be extraordinary to expect from them. I am not questioning their integrity at all. I am questioning if there is not something missing in their evaluation process. Something very simple. They finish their work. They read each other's reports. They sit down and listen together and Fremer or another reviewer listens for the measurement side of things and Atkinson listens to the music as well as to any measurement factors he may be able to discern. Simple.
In this way, if one side or the other was missing something they can write a codicil to their report. This means instead of Atkinson saying "I don't understand how the reviewer could like that component after what my measurements show" he might well say after listening to some music that he can actually hear and report some good things -- in spite of what his measurements showed and the valuation he gave to those measurements. And the same for Fremer or another reviewer.
This does not mean Atkinson or a reviewer are changing the valuations placed on measurements or audition of components. Those observations stand. What they are doing is giving a second valuation based on listening in a different way. I mean, this is audio we are talking about, is it not? Or are we talking about the preeminence of the oscilloscope over the ears.
I have no idea what your LOL means. So I will return it in good humor. LOL.
I am assuming the following:
1. That John Atkinson's equipment is working when he takes measurements.
2. That Mr. Fremer and other reviewers are reporting accurately what they hear.
If we cannot assume these 2 basic things then there is no point in this whole exercise because everything becomes smoke and mirrors and nothing can be believed. If you start to question "valuations" of observations of what others report you can turn anything in any direction you wish. IMO.
I believe emphasizing JA's integrity is misplaced here. This is simply the way they do things at Stereophile. Integrity is part of their work, not something that would be extraordinary to expect from them. I am not questioning their integrity at all. I am questioning if there is not something missing in their evaluation process. Something very simple. They finish their work. They read each other's reports. They sit down and listen together and Fremer or another reviewer listens for the measurement side of things and Atkinson listens to the music as well as to any measurement factors he may be able to discern. Simple.
In this way, if one side or the other was missing something they can write a codicil to their report. This means instead of Atkinson saying "I don't understand how the reviewer could like that component after what my measurements show" he might well say after listening to some music that he can actually hear and report some good things -- in spite of what his measurements showed and the valuation he gave to those measurements. And the same for Fremer or another reviewer.
This does not mean Atkinson or a reviewer are changing the valuations placed on measurements or audition of components. Those observations stand. What they are doing is giving a second valuation based on listening in a different way. I mean, this is audio we are talking about, is it not? Or are we talking about the preeminence of the oscilloscope over the ears.