Unsound,
The technical points you make are excellent and clearly explained. Regarding "audio rags", I would have thought it would be in their best interest to be as clear as possible although reading some of their reviews leads me to believe they seem to think otherwise. I will not name names but I think you will be able to easily find fine examples of unintelligible use of the English language by perusing some of the major audio review magazines. They often feature the most convoluted and confusing language that I can imagine a writer composing about audio matters. Florid language and audio cliches abound.
For the life of me, I cannot see how contradictory or confusing reports help the interests of audio magazines. They only lead to skepticism on the part of savvy readers, IMO. Each side of the coin in Stereophile reviews is valid. But if the two sides contradict each other and the review leaves it all hanging in mid-air it begs the question: don't these fellows realize their business is unfinished?
An example of this was the Stereophile review of Playback Designs MPS-5. Let me preface my remarks by saying I have no affiliation with Playback, I have never had any contact with them, I don't own their player, I have never heard it and I am completely neutral regarding it. I am not in the audio business and I have no connection with any audio company.
John Atkinson states at the end of his measurements: "So while I was impressed by the player's standard of construction, I can't say the same about its technical performance. The relatively high level of background noise limits the MPS-5's resolution with SACD and external 24-bit data to not much better than 16-bit CD. I am puzzled, therefore, why Michael Fremer liked the sound of this player so much."
Could John Atkinson not have picked up the phone and given Michael Fremer a call to arrange a chat and an audition together of the component in question? I mean, this seems to me to be a no-brainer. They work for the same publication. Are they not on speaking terms? You have one voice pointing north and the other voice pointing south and a little voice is heard in the background saying to their readers "up to you". How have they served their readers other than going to the trouble to confuse them? Frankly, I find this a very curious way for John Atkinson to end a review of one of the major contenders in the high end CD player market.
The technical points you make are excellent and clearly explained. Regarding "audio rags", I would have thought it would be in their best interest to be as clear as possible although reading some of their reviews leads me to believe they seem to think otherwise. I will not name names but I think you will be able to easily find fine examples of unintelligible use of the English language by perusing some of the major audio review magazines. They often feature the most convoluted and confusing language that I can imagine a writer composing about audio matters. Florid language and audio cliches abound.
For the life of me, I cannot see how contradictory or confusing reports help the interests of audio magazines. They only lead to skepticism on the part of savvy readers, IMO. Each side of the coin in Stereophile reviews is valid. But if the two sides contradict each other and the review leaves it all hanging in mid-air it begs the question: don't these fellows realize their business is unfinished?
An example of this was the Stereophile review of Playback Designs MPS-5. Let me preface my remarks by saying I have no affiliation with Playback, I have never had any contact with them, I don't own their player, I have never heard it and I am completely neutral regarding it. I am not in the audio business and I have no connection with any audio company.
John Atkinson states at the end of his measurements: "So while I was impressed by the player's standard of construction, I can't say the same about its technical performance. The relatively high level of background noise limits the MPS-5's resolution with SACD and external 24-bit data to not much better than 16-bit CD. I am puzzled, therefore, why Michael Fremer liked the sound of this player so much."
Could John Atkinson not have picked up the phone and given Michael Fremer a call to arrange a chat and an audition together of the component in question? I mean, this seems to me to be a no-brainer. They work for the same publication. Are they not on speaking terms? You have one voice pointing north and the other voice pointing south and a little voice is heard in the background saying to their readers "up to you". How have they served their readers other than going to the trouble to confuse them? Frankly, I find this a very curious way for John Atkinson to end a review of one of the major contenders in the high end CD player market.