Why does better power = better sound?

Power cords finally are getting the respect they deserve.

I remember when anything more costly than the power cord that came in the box was snake oil, and only fools would part with their money to buy one.

It's interesting and educational to play around making your own power cords, or even just replacing the molded rubber ends with better ones.

When it comes to power cords, I've never experienced anything but differences in sound when you experiement with different construction and materials.

Why this is so, interests me, but I really am more concerned with the results and not the reasons.

There are a vast number of power cords in all types of configurations and cost points.

Lots of expensive ones and some at reasonable cost,especially the DIY efforts.

My advice for those who are sceptical or undecided about the merits of what a better(or different)power cord can do,need to try different power cords.

Borrow or have someone construct some for you and have a listen.

If you feel your stock power cords are just as good and can hear no differences,I won't tell you that you or your system has a problem.I can only say that I have heard the differences they can make, and some power products can bring out more details than others, which is a good or bad thing depending on where you sit on the fence.

You are you and I am me, we both listen for different reasons and perhaps analyze the sound in different ways.

I would speculate that the folks who are music lovers, first would be most content with the cords that come in the box, because they listen for different reasons than I do.

I was content for years to listen to a purist type system.

Stock cords,no power conditioning etc.

I was happy, I didn't think it could get any better.

It wasn't until I heard some of my music on a different system that I realized all was not right in paradise.

We tend to use our own system as a benchmark, and get very content with the sound it gives us, and we think of it as a "reference".

I've known some music lovers to prefer harmonically distorted systems over more accurate revealing ones.
Terms such as "warmth" come into play.

I don't feel that resolution is a bad thing.

I feel that you can have a highly resolving system and still be enthralled by how natural it sounds.

I think that there are enough natural distortions in the chain from recording to playback as there are,no need to add any more with bad power.

If you like your music wrapped up in a warm blanket because it's easier to listen to,that's fine.

But I know you can still get the warmth without the blanket effect.

Resolution doesn't have to equate with irritable, edgy sound.

For my money,what the extra resolution is revealling is the flaws elsewhere in the chain that need to be addressed but which seldom are,just because you feel certain things shouldn't make a difference.

The reason why so much good sounding gear is traded, is because it's never been given the chance to perform at it's optimum.It seems more reasonable to switch amps every three months than to try a better power cord.

How many times have we seen"spend your money where it will make the biggest difference"?
Hey spending money keeps the economy rolling and we need that,but wasteful spending is much better left for the politicians.

So which is wiser? Spending a few bucks on better power or spending large on new amps and speakers every few months?

How wise is it to use the same stock power cord you used for the last 20 years on every new amp you purchase?

My guess is that by doing so, you'll be looking for another power amp in the next month because the new one just doesn't sound any better than the last one, as all the hype led you to believe it would.Damn those reviewers,must have been bribed.

I've got some pretty old Acoustats with the tube servo amps.

How they sound today with good power cords and conditioning could be compared to more costly speaker/amp combinations and would still hold their own in light of modern "breakthroughs" in technology.At least that's how I hear it.
My previous speakers were quite a bit more money than the Acoustats, and they had some pretty expensive components inside them.
Leaving them and going back in time has not been a disappointment.

I can distinguish the merits of both speakers, they do not sound anything alike.Nor do any of my interconnects.
And good/bad recordings, vinyl or digital are represented as what they are.They are not sugar coated to all sound alike.

I find it odd that some would prefer their entire music collection to have the same "musical" sound.
Sorry, I'll take resolution over homoginized any day.
Better power will let you hear the differences,you have been warned!

Has anyone actually tried hard wiring a good 12 awg chord, bypassing the IEC of an amp or/? just to compare? I haven't seen any feed back regarding this comparison as yet. Maybe a decent shielded computer chord you can pick up for less than 20 bucks?

If you are really interested in the why, the Shunyata website may offer considerable scientific insight into the answer. .Apparently the development of the DTCD analyzer allowed Shunyata to develop it's new power conditioners.Suggested good reading for those with a scientific bent.

...Borrow or have someone construct some for you and have a listen...

Did that, heard nothing. A three foot piece of cord is not an intellegent attribute to sound in this block of the circuit. You might have crappy contact (IEC's are especially terrible)and the oversized contact thickness can firm them up some. I used good quality hospital grade plugs for better contact pressure and high grade IEC plugs. The 14 AWG wire going between the wall plug and the pre amp is more than plenty. The AC circuit to your electronics is no better than the WORST part, and in no way does it equal the best part. We sure like to think so, though.

Once the AC gets to the power supply block, THAT block better do it's job plain and simple. DC coming out is agnostic to what AC is coming in if a power supply is any where decent at all. And, a passive power cord's influence the AC line noise or current delivery is moot. The power supply block should take control.

DC power is DC power. It has to supply the current draw without VLD (voltage level deviation) and current sag while efficiently removing line noise. Anything past that is physically not there unless you plain decide that it is. DC is DC.

Lower voltage 110 that should be closer to 120? Yes, you can bump it to 120, but the current delivery will drop in relationship to the voltage increase. You can't get something for nothing. The watts delivered have to remain the same. Not to worry, the current is still amply high at 120 bumped from a 110 source with a power conditioner.

For AUDIO, once the power supply provides VLD absent DC of the right voltages, you're set. More current delivery than the circuit consumes is simply not going to help. Removing the magnetic fields can certainly be of help...but that's not the power supply per say, but stray magnetic field issues. Audio can't effectively shield magnetic fields as you need low permeability (stuff magnets stuck to) shields to isolate components. And, this is not very practicle. Magnetic fields are a squared field magnitude law, so MOVING them is easiest. Witness all the outboard power supplies. Foil and braids do nothing for 60 cycle hum. You need CMRR (common mode rejection ratio) using twisted leads and better yet into balanced inputs for the best passive(twisted pairs)and active (balanced inputs) effects. RFI noise is easily removed with a torrid (often called a CHOKE) around the power cord that looks like a load to RF and RF is converted into heat. This keeps noise INSIDE your equipment that it makes, and RFI noise OUTSIDE from getting in. It can't "remove" it, but you can STOP it's circuit path. Wide bandwidth amplifiers can clip trying to amplify RF as this is a hugely inefficient task. So yes, make sure RF is not a problem as the clipping will be superimposed and heard at audio levels.

Inky blackness in background noise is good thermal shot noise control (you tube people know this) and A/C leakage control and not the DC power coming in. DC can't make noise. A power cord can't fix a power supply.

Why is audio the only electronic discipline that can't be measured? "Sounds" funny to me.

PS - And, a car does NOT peform better and better with higher grade fuel. Premium gas is actually not higher grade at all if you count BTU capacity, it actually is WORSE! The increased compression ratio "premium" fuel allows over lesser octane fuels has to be positively offset with higher torque at lower RPMs in properly designed higher compression engines. If an engines is unchanged, you want to use the LOWEST octane grade you can to meet the highest level of performance. Drag racers all know this by heart.

My engine( Mercedes) requires high octane, so says the manufacturer.
I will not switch to regular just to save a few bucks at the pump,it could be more costly in the long run with engine repairs.

Rower you can disagree with me ,but I will also not compromise the sound of my system with low octane cables or power cordsjust to save a couple of bucks.

In both cases performance suffers.

I've spent countless hours making DIY cables and power cords and in the end,I've always preferred the ones I bought(Shunyata in my case, but there are others as good or better)to what I've made or the ones that came in the box.

You may love the way the Belden works with your system, but it and Mogami and Canare just didn't work for me.

So far Furutech wire has shown merits in a DIY power cord.

And for me on my system, it's very easy to hear the differeces between power cords, even when used on the SME TT.
Each power cord that I used placed it's own sonic signature on the lps that I played.
Some cables gave more bass weight but less midrange purity,while another power cord did the opposite.

If there is one thing that I've found out, it's that you should never trust the power supply of any piece of audio gear.They've all been compromised to a price point.

Try a HiFI Supreme fuse(unfortunately you most likely dismiis them)on any of you components and notice what it does.
No matter how good or bad your power supply is, the sound can be compromised if you skimp on addressing the power going into that supply.

It's been said many times, garbage in, garbage out.
But you have to be able to recognize garbage, not just accept it as the status quo.

Saddly that's what most folks do.

They place their gear on an altar and worship it as if it came from the audio gods, thinking that nothing can improve upon it's perfection.
Some would argue that if a component sounds better with an expensive power cord, dedicated line, fuse etc, then it was flawed or not well designed.

I would say that those folks who refuse to address power issues have never heard how good their systems really can sound.

Getting back to cars and gasoline,I can't remember reading any of the racing pros back in my youth,using low octane gasoline.

In truth,I always felt they mixed up the equivalent of jet fuel.

But I don't have experience in that field, so it's just speculation.

But I do have experience and it's ongoing(new Furutech GTX D G receptacle on the way).

And what that experience has taught me is that nothing will change when you change nothing.
Something always changes when you change something.

Everything has an effect on your sound.It never sounds the same after you've played around with stands, wires, room conditioning, power conditioning.

The mission is to find what is an improvement.You need to move forward and not backwards.

You shouldn't sacrifice one area of your sound (clarity) for the sake of more bass.

The change has to be positive across the board.

But of course this is all moot to those who feel their system is as good as it gets and can't be improved.

Personally, I've never known of the existance of such a system.

I certainly know I've never heard one.