"Why are there so many Asians in western conservatories: because Asians have a physiological advantage. Their hands and fingers are strong and nimble. Their bone structure is considerably different from that of people from European decent. This advantage can carry over into the area of electronics. Look at some of the Japanese products from the 1960's and early 1970's."
Goofyfoot you might want to consider, along with those musical experts from conservatories that what make a muscician most proficient is what lays between the ears not some physiological advantage. Hand structure and size may help in easing facility but it doesn't compensate for the brain that sends the signals. I'm sorry, I totally disagree with your observation along with the "experts" you reference. And as Judge Judy is fond of saying, if it doesn't make sense it's not true. There are many examples of great musicians with large and small hands of I'm sure varying bone structure, lest we forget the concert pianist Alicia de Larrocha who at 4'7" in stature had large hands for her size but small hands by normal standards, not ideal for sure, how in the hell did she do it?
Goofyfoot you might want to consider, along with those musical experts from conservatories that what make a muscician most proficient is what lays between the ears not some physiological advantage. Hand structure and size may help in easing facility but it doesn't compensate for the brain that sends the signals. I'm sorry, I totally disagree with your observation along with the "experts" you reference. And as Judge Judy is fond of saying, if it doesn't make sense it's not true. There are many examples of great musicians with large and small hands of I'm sure varying bone structure, lest we forget the concert pianist Alicia de Larrocha who at 4'7" in stature had large hands for her size but small hands by normal standards, not ideal for sure, how in the hell did she do it?