Agree with Albertporter completely...particularly on the issue of distortion, and, next, on the issue of "forgiving" speakers. This is not "dumbing down" a system. In fact, it seems kind of simple (in the end, though getting there is hard work): If a system sounds too bright on most material (but seems to sound great on "audiophile" recordings), there is probably something wrong with the system (and brightness is, of course, one of the most common faults of high end gear). The "audiophile" recordings will still sound great (maybe even better) once you tame the brightness out of the system. It seems to me that, in the end, the most truly natural and neutral system will have about the right tonal balance on most recordings, sound bright on some, and sound dark on others, in roughly the same proportion...sort of an averaging out, tonal-balance-wise. Yet most systems I've heard in the hi-fi shops are too bright. The audiophile recordings can take it (sort of), but the more typical material quickly becomes intolerable to the ear. That's not "accuracy," in my view. (Though it sells, evidently.)
Compromises (recording quality)
I was wondering how others deal with the eternal problem of great music that has been poorly recorded...Do some of you specifically build your system to be as forgiving as possible, or have two different systems or what? I know you can't put garbage in and get tolerable sound out out without great sacrifices to wonderfully recorded music....or (hopefully) am I wrong?
Bob
Bob
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- 15 posts total
- 15 posts total