Eldee: Since I don't buy 45 rpm audiophile remasterings, I can only go by what I hear with regular 7" singles vs. the same cuts as album tracks. But the theory isn't unlike that with magnetic tape, where there can be greater dyanamic and frequency range and a better S/N ratio at a higher record/play speed. (I haven't heard a 16 rpm record in years, and never on a good machine, but I'd imagine they would be decidedly low-fi at best.) Due to the more "physical" nature of tracing a groove with a stylus and the tracking errors inherent in most phono playback arrangements, I'm sure the point of diminishing returns (i.e., practical problems) with increasing speed probably sets in earlier with vinyl than with tape (I doubt the kind of speed displayed by computer data-storage tape transports of yesteryear could be approached by any needle and groove arrangement). But the "stretched-out", "big" groove on a 45 demonstrates that at least to a point, the higher rpm system also makes for a hardier medium, sailing through damage that would render an LP unplayable, though not all of this is because of speed per se. BTW, what leads you to think that if a niche audiophile standard for vinyl disks were adopted, it could sound better for encoding *greater* bass amplitude on the record, rather than less? (Well, you don't actually say that, only seem to imply it.) I have no experience with the DBX system, but I assume it also used compression/expansion? Audiophiles would never go for that, and I'd think probably with good reason...