is it possible to measure hi or lo impedance with home tools?
$3K used balanced I/O preamp suggestions
I'd appreciate suggestions for a stereo preamp with balanced and single-ended I/O. My budget is circa $3K used. There's so much out there that I'll never be able to listen to, so I hope to benefit from others' experience. Gotta have remote control.
The preamp will be used with two sources: a Teac VRDS-25X (optimized as a transport with a kit from ASE-Audiotuning in Germany) feeding a Lavry Black DA10 DAC and a modded Luxman T-117 tuner. Until I decide which I prefer, I am switching back and forth between two different amps: a B.A.T. VK-200 and a (relatively unknown) MC2 MC750. I also use two different pairs of speakers, both of which I plan on keeping and both of which are high-sensitivity coaxial designs: Tannoy System 15 DMT II and Iconic 704-8A in DIY "Stonehenge V" cabinets with custom crossovers.
I'm currently using a Meitner PA-6i with the John Wright "Plus" upgrade and custom balanced outputs. I am very partial to this preamp, but it lacks the transparency and dynamics of my Bryston BP-26. Except for a slighly flabby bass and that "tube rush", I also really like another preamp that I have--the Wyetech Coral linestage--but I find it loses something when I use it, as I have to, with RCA-to-XLR adaptors on the power amp inputs.
The Bryston BP-26MC in my other system I am happy with and it may be that for what I can afford, I should just get another one. But--of course!-- I'm wondering if I can get the same transparency, dynamics and black noise floor with perhaps a more holographic presentation and a slightly "richer" sound.
I'm considering the following, though for some I may have to keep saving for awhile and sell some of my other gear.
Ayre K-1xe--seems to be highly regarded, but used prices are circa $4.5K.
ARC LS25 MI II--but requires at least 20K input impedance on the power amp which would rule out my MC2 power amp, which has the standard pro audio 10K impedance.
Krell KRC-HC with or without phono stage--but it's a 10-12 year old design that might be no more satisfying than the BP-26 and could require expensive service in the not to distant future.
BAT VK-31SE--but quite a few posters describe it as somewhat rolling off the high frequencies.
So...if you can compare any of these preamps with the Bryston BP-26 or the Wyetech Coral or can recommend any others, I'd very much appreciate your comments.
And thanks for wading through this long post!
Regards,
Joel.
The preamp will be used with two sources: a Teac VRDS-25X (optimized as a transport with a kit from ASE-Audiotuning in Germany) feeding a Lavry Black DA10 DAC and a modded Luxman T-117 tuner. Until I decide which I prefer, I am switching back and forth between two different amps: a B.A.T. VK-200 and a (relatively unknown) MC2 MC750. I also use two different pairs of speakers, both of which I plan on keeping and both of which are high-sensitivity coaxial designs: Tannoy System 15 DMT II and Iconic 704-8A in DIY "Stonehenge V" cabinets with custom crossovers.
I'm currently using a Meitner PA-6i with the John Wright "Plus" upgrade and custom balanced outputs. I am very partial to this preamp, but it lacks the transparency and dynamics of my Bryston BP-26. Except for a slighly flabby bass and that "tube rush", I also really like another preamp that I have--the Wyetech Coral linestage--but I find it loses something when I use it, as I have to, with RCA-to-XLR adaptors on the power amp inputs.
The Bryston BP-26MC in my other system I am happy with and it may be that for what I can afford, I should just get another one. But--of course!-- I'm wondering if I can get the same transparency, dynamics and black noise floor with perhaps a more holographic presentation and a slightly "richer" sound.
I'm considering the following, though for some I may have to keep saving for awhile and sell some of my other gear.
Ayre K-1xe--seems to be highly regarded, but used prices are circa $4.5K.
ARC LS25 MI II--but requires at least 20K input impedance on the power amp which would rule out my MC2 power amp, which has the standard pro audio 10K impedance.
Krell KRC-HC with or without phono stage--but it's a 10-12 year old design that might be no more satisfying than the BP-26 and could require expensive service in the not to distant future.
BAT VK-31SE--but quite a few posters describe it as somewhat rolling off the high frequencies.
So...if you can compare any of these preamps with the Bryston BP-26 or the Wyetech Coral or can recommend any others, I'd very much appreciate your comments.
And thanks for wading through this long post!
Regards,
Joel.
7 responses Add your response