This is an interesting topic personally as I’ve had the opportunity to hear the Kondo Kagura at CES a couple of years ago. It was in the context of an all Kondo system to best of my knowledge. Verdict, superb natural sound is what I experienced. Pure,clean and transparent with full body tonality and harmonics.
Derrickengineer where did you see/verify the THD specification of 5%? That seems high and I wonder how that was measured. I believe that the Kagura has a switch to adjust NFB levels (output impedance ). I recognize that 2nd order distortion is congruent with nature and is readily tolerated by human hearing (unlike upper order odd distortion ) , Ralph (Atmasphere ) has clearly and thoroughly covered this subject very well on several occasions.
I’m skeptical about the 5% THD stated by the OP based on what I heard. There wasn’t a hint of an euphonic, colored , overly warm character at all. Stings,brass,woodwinds and piano were exceptionally realistic in presentation. Shortly after this listening session I visited the Pass Labs room,. This consisted of the XS 300 amplifiers driving the Marten Coltrane (Supremes I believe ). Without question the XS amplifiers will spec at much lower THD than the Kagura.
IMO the Pass and Marten combo was quite good but this system lacked the tactile flesh and blood realism compared to the Kondo suite. I was more aware of the fact of listening to a fine collection of electronic audio components. In contrast the Kondo seem to put me in the presence of live musicians. The two systems were very distinctly different. However the THD is determined there is certainly more to this story that is unexplained with numbers /measurements. Bottom line, the Kondo system was more emotionally engaging and convincing in that it simply pulled me deeper into the music.
My gut feeling is that although the Kagura has higher THD than the esteemed Pass XS 300 I suspect that the number is very likely less than 5% as reported by the OP. This is just my opinion after listening to these two ultra expensive systems virtually back to back. Inna is right, you just have to actually listen to components and decide based on what you hear. That’s why YMMV will always ring true. That Einstein quote posted by Eric is so on the mark. Audio components are built based on science and engineering principles no doubt whatsoever, yet there is a genuine component of "art" at play as well. We can clearly hear things that can't be fully explained at this juncture.
Charles,