You may well be hearing that resonance as brightness- when I've used similar Grados, I've always had to load them to get the brightness gone.
@
atmasphere what do you mean by 'load' them? The link you gave me is way beyond what I can comprehend.
@
mijostyn I did some of the things you asked me to do. I decreased the tonearm height because I felt it was sloping down towards the cartridge end when it was placed on the LP. I got the VTF to 1.5g and the arm would ride back, similar on 1.8 and 2g. Then I tried it with the tonearm at various different positions, till I lost track of whether I was increasing or decreasing from the original mark. I finally reached a height with the tonearm where the tonearm would not retrace out of the LP. I then checked to see if the tonearm was parallel to the record when the stylus was touching the record. It was parallel and I played with VTF till I locked it at 2g where the cartridge would not retrace out of the LP. Also once the last track got over, the tonearm moved towards the spindle and stayed at the run-out area. However, the sound did not change much, Leonard Cohen - Live in London was way more bass-ier on Roon through the digital output of Boulder 866.
On the anti-skate, my sense is that Clearaudio Concept is set for 2g VTF as the original cartridge MM V2 needed a VTF of 2 -2.2g. I am thinking maybe either the Grado needs more running in or maybe I don't like the sound. Would a Sumiko MP200 work better?
I am enclosing some pics of stuff I did, trying to rectify the turntable sound. The RPM seems to be higher.
http://www.imagebam.com/view/ME4RE9N https://www.imagebam.com/view/ME4RE9S https://www.imagebam.com/view/ME4RE9T