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An interesting Digital vs. Analog experience

On Friday I visited my local hi fi store where Garth Leer of Musical Surroundings was showing off the new Clear Audio Master Innovation turntable and Jim White of Aesthetix was on hand with a lot of his gear. The speakers were Focal Stella with dual JL Audio Gothom subs. Obviously, the point of the event was the turntable, but I'll have to admit that when the music was temporarily switched from the turntable to a labtop both my friend and I thought the digital sounded better.

I've heard A/B comparisons in the store before using identical recordings and in that case preferred the vinyl, but this time with the recordings being different I would have left with a very different impression.

I mentioned it to Jim White (I didn't discuss it with Garth Leer since because I didn't want to rain on his parade) and his comment was that the system was tailored for analog so I'd probably really enjoy a system that was intended for digital. I think the computer was using an Aesthetix CD player for the DAC.

It was the first time in a long time that I was blown away with the sound of a system in that room, it made my system sound very humble (as it is in comparison) in a way that I had not heard before. It was the first time that I've heard Aesthetix amplification making the Focal Utopia's shine.

I guess what I'm saying is that both vinyl and digital can be amazing, but the difference in convienience is astounding.

I could see myself owning a pair of Stella speakers, but I don't think I have enough organs to sell to pay the bill. I doubt my wife would be willing to chip in...
mceljo
bombaywalla's avatar
bombaywalla
1,958 posts
 
By the way, I don't think the name JM Labs applies to any of the new speakers, it's simply Focal these days.
you might already know this but your comment seemed to indicate otherwise hence a bit of history, if I may be permitted - back in the old days (which are not so old) Jacques Mahul (hence the JM) used to have to 2 separate outfits - one called JM Lab (singular) manuf speakers & one called Focal manuf drivers that went mostly into JM Lab speakers.At that time he also used to sell to other manuf & to a DIY market.
At one point he stopped selling his drivers on the open market & decided to internally use all his driver production & got rid of the JM Lab brand name. He consolidated the driver manuf & speaker manuf into one brand name called Focal.

Back in the JM Lab speaker days (which are early 2000 era days) there used to be the JM Lab Electra series - 846, 836 & 826 (smallest) which I heard. Very unimpressive sound. Many of us who heard these speakers unanimously agreed that the company should stick to driver manuf only & that it had gotten quite good at wood finishing but speaker design was not their forte. The last time I heard a Focal speaker was 4 yrs ago (I did like the sound of that one model which used Berrylium tweeters) but I do not know what they sound like today.....
bombaywalla's avatar
bombaywalla
1,958 posts
 
But what gripes me more than anything is when someone claims a Dual TT is as good as good digital.
it sure can be Orpheus10 if you know how to set it up. Of course, not every Dual TT is better than good digital (whatever you definition of "good digital" is). Add to Dual TTs restored Lenco, vintage Thorens & the famous Technics 1200 turntables. You need to know how to set it up....
(if you are going to gripe that vinyl is too high maintenance in general or too high maintenance for you in particular, you won't find me counter-arguing that w/ you!)
phaelon
1,049 posts
 
"the price performance ratio is absurd, especially when analog can cost as much as a Greyhound bus”

Orpheus 10, I think the near death experience that vinyl underwent in the 80s - even if it was only perception - served to bring out a sort of militant defensiveness amongst the analog faithful. I bet that even the most passionate analog devotee must know, deep down inside, that the absurd price performance ratio due to the mechanical nature of the beast, must eventually fall prey to digital with it’s untapped potential unburdened by mechanical limitations. But that’s the future. Right now, I agree with Charles1dad: It’s simply choice.
rockitman's avatar
rockitman
417 posts
 
"the price performance ratio is absurd, especially when analog can cost as much as a Greyhound bus”


and what is the DCS scarletti stack ? $70K ? Wow...amazing how a $20K turntable setup (well sorted) will smoke the DCS.
bombaywalla's avatar
bombaywalla
1,958 posts
 
"the price performance ratio is absurd, especially when analog can cost as much as a Greyhound bus”

and what is the DCS scarletti stack ? $70K ? Wow...amazing how a $20K turntable setup (well sorted) will smoke the DCS.
just to be clear: I do not have an axe to grind. I have both analog & digital & know which one is better for me.
The point of my reply is to further enhance Rockitman's post who has already pointed out that Orpheus10's shallow post (shallow 'cuz he did not do any research to find out prices of hi-end digital gear) is shallower than shallow!
Besides the dCS stack, add the EMM Labs gear, Wadia CD players, Reimyo digital gear, top-of-the-line Lavry digital gear, top-of-line Audio Note UK gear & the blooming list goes on & on......
The price of admission for that quality digital gear (which precisely the gear that has given you the experience & feeling that it rivals &/or bests analog) is no less than a Greyhound bus!

If you want to make a statement like that Greyhound bus one, atleast make it hold some water......
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