Stan, the tonearm manufacturers are indeed now catching up with the essential differences between MC and MM cartrige requirements. Or to be more specific, the difference in the tonearm settings required by cartridges with line contact styli and previous types of styli. One example of this response by manufacturers is the SME IV.V which is made specifically with MC-with-line-contact-styli in mind. It's like an SME V, but comes without silicon damping (unnecessary for MC cartridges' stiff suspensions) and without hairspring VTF adjustment (also unnecessary for cartridges tracking in the 2 gram range.) Further, no current manufacturer of quality tonearms is silly enough to assert that the user just blindly set the antiskating force scale indicator to match the VFT setting. They all know better by now ;-)
As I indicated previously, the reason MC cartridges, or more accurately, cartridges with line contact styli, require so little antiskate compensation, is because they create so little skating force to begin with. Simply put, for each gram of VTF, a line contact stylus "drags" in the groove just a fraction of the amount that a conical or elliptical stylus would. And since 'skating force' is a product (read: multiplication result) of stylus friction drag TIMES the length of a (virtual) lever arm which is created by headshell offset angle. Therefore, lower stylus drag produces less skating force with a given tonearm.
If a tonearm has no headshell offset angle (like some of the old 12 -16 inch transcription tonearms) then no skating force is produced because there is no (virtual) lever arm for the stylus "drag" to act upon. However, with long tonearms, you still pay a small price in increased tracking error and a big price in tonearm resonance and inertial momentum (the tonearm wants to keep going UP after a record warp ;-)
If you want to have your cake and eat it too, get a linear tracking tonearm - no skating force, no tracking error, stylus rake angle (SRA) adjustable while the record is playing - and they do sound fabulous, I've had one. BUT, they ARE a hassle, needing (usually) an air pump, and constant checking. Or, as you might also remember from the 60's, the goin' up just ain't worth the comin' down!
As I indicated previously, the reason MC cartridges, or more accurately, cartridges with line contact styli, require so little antiskate compensation, is because they create so little skating force to begin with. Simply put, for each gram of VTF, a line contact stylus "drags" in the groove just a fraction of the amount that a conical or elliptical stylus would. And since 'skating force' is a product (read: multiplication result) of stylus friction drag TIMES the length of a (virtual) lever arm which is created by headshell offset angle. Therefore, lower stylus drag produces less skating force with a given tonearm.
If a tonearm has no headshell offset angle (like some of the old 12 -16 inch transcription tonearms) then no skating force is produced because there is no (virtual) lever arm for the stylus "drag" to act upon. However, with long tonearms, you still pay a small price in increased tracking error and a big price in tonearm resonance and inertial momentum (the tonearm wants to keep going UP after a record warp ;-)
If you want to have your cake and eat it too, get a linear tracking tonearm - no skating force, no tracking error, stylus rake angle (SRA) adjustable while the record is playing - and they do sound fabulous, I've had one. BUT, they ARE a hassle, needing (usually) an air pump, and constant checking. Or, as you might also remember from the 60's, the goin' up just ain't worth the comin' down!