Charles,
I know about the Takatsuki 300B, but I haven't heard them. Construction details appear beyond reproach. I have Emission Labs, some older Vaic, KR Audio, Sophia mesh plates and some Chinese solid plate 300B tubes. When I got my Audion Golden Dream PSET monoblocks, the stock 300B tubes were Audion private label Chinese (appeared Shuguang) production. At the time, Audion's position was that the amps were optimized for readily-available mass production Chinese 300B tubes, so there was no need to buy high cost alternatives. I laughed about this at first, but several trials of higher-end tubes did not yield meaningful improvements, and in some case, more expensive tubes were setbacks. The Audion label Shuguang tubes were the most objective.
This changed after the amps' power supplies were recapped. Then, some of the higher end tubes that introduced colorations in the stock amps, instead sounded objective while their individual attributes still shone through. So, the Sophia mesh plate, which was previously euphonic and marred by its bass bloat, is now linear and has good bass discipline while its image-benefitting high frequency "spray" is still present. The KR Audio 300B, which was great for its fast, tight bass and punchy clarity, but not favored because of its "hardness" and glare, now sounds open, dimensional and defined without its former pugnacious aggression.
But thanks for the reminder, as it is my intent to seek and try the Takatsuki. I am not surprised you find it a clear upgrade from the Shuguang Treasure. I'm wondering how it will compare to the KR and Emission Labs in my Audions.
Phil
I know about the Takatsuki 300B, but I haven't heard them. Construction details appear beyond reproach. I have Emission Labs, some older Vaic, KR Audio, Sophia mesh plates and some Chinese solid plate 300B tubes. When I got my Audion Golden Dream PSET monoblocks, the stock 300B tubes were Audion private label Chinese (appeared Shuguang) production. At the time, Audion's position was that the amps were optimized for readily-available mass production Chinese 300B tubes, so there was no need to buy high cost alternatives. I laughed about this at first, but several trials of higher-end tubes did not yield meaningful improvements, and in some case, more expensive tubes were setbacks. The Audion label Shuguang tubes were the most objective.
This changed after the amps' power supplies were recapped. Then, some of the higher end tubes that introduced colorations in the stock amps, instead sounded objective while their individual attributes still shone through. So, the Sophia mesh plate, which was previously euphonic and marred by its bass bloat, is now linear and has good bass discipline while its image-benefitting high frequency "spray" is still present. The KR Audio 300B, which was great for its fast, tight bass and punchy clarity, but not favored because of its "hardness" and glare, now sounds open, dimensional and defined without its former pugnacious aggression.
But thanks for the reminder, as it is my intent to seek and try the Takatsuki. I am not surprised you find it a clear upgrade from the Shuguang Treasure. I'm wondering how it will compare to the KR and Emission Labs in my Audions.
Phil