Bad writing skills, Nicky. What I meant by "dependable" was a modest upgrade (the high-output Master) which would be SIMILAR to what I've got and have been happy with (the Sonata), without gambling on a new phono stage. Whew...
Benefit of low output moving-iron Grado ?
Hi all,
I'm considering a cartridge upgrade from a high output (5mv) Grado Sonata cartridge to a moving-iron Grado Master cartridge, either a low output (.5mv) or a high output (5mv). If I choose the low output version, I would have to drop an additional $250 on a phono card for my Exposure amp, whereas I've already got the high output phono card installed.
So my question is....
a) is there a sonic improvement in low output cartridges, or is it more a matter of taste
b) I hear a kind of "shrillness" when vocalists use an "s", and with other very high frequency sounds.... is this shrillness reduced by using a low output cartridge?
c) does Grado's moving-iron type of cartridge have properties unlike moving magnet or moving coil that might be relevant to the other questions I raised?
Thanks in advance, and I always appreciate this forum.
I'm considering a cartridge upgrade from a high output (5mv) Grado Sonata cartridge to a moving-iron Grado Master cartridge, either a low output (.5mv) or a high output (5mv). If I choose the low output version, I would have to drop an additional $250 on a phono card for my Exposure amp, whereas I've already got the high output phono card installed.
So my question is....
a) is there a sonic improvement in low output cartridges, or is it more a matter of taste
b) I hear a kind of "shrillness" when vocalists use an "s", and with other very high frequency sounds.... is this shrillness reduced by using a low output cartridge?
c) does Grado's moving-iron type of cartridge have properties unlike moving magnet or moving coil that might be relevant to the other questions I raised?
Thanks in advance, and I always appreciate this forum.
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- 25 posts total
- 25 posts total