Can we finally put Reel to Reel out of its misery? Put it to rest people.

This statement is false. I’ve seen them worn first-hand.

I should clarify this point. Ferrite heads can never really be relapped but they do fail. When I purchased my Teac 7030GSL with ferrite heads I brought them to John @ JRF Magnetics hoping to get them relapped. He informed me that he could not relap them because they were ferrite heads. We had to fit new metal heads on the Teac he found in his stock room that made a good fit. Often times when they fail overtime they become brittle and develop cracks until they shatter, but they don’t develop a flat spot because you can’t relap the glass that is encasing the ferrite without risking damage to the fragile glass. There are also two different kind of ferrite heads. I’m talking about the ones on consumer decks made by Akai and Teac. No one manufactures new ferrite heads anymore for this reason. Metal heads on the other hand as you know do wear down and develop flat spots very quickly but can be relapped very easily. They are also less noisy so it’s a trade off if you want longer lasting heads.

The most nonsensical and incompetent thread forever

The reason I bring up cassette is that it’s a lot more annoying to make adjustments than on reel to reel, mostly you can’t trust cassettes to give you reliable results because the azimuth is always changing.

Cassette alignment is very reliable. The real reason prerecorded stuff wasn’t that great was due to high speed replication. The replicators simply didn’t have the bandwidth. I’ve used pre-recorded tapes, listening to the high end, to align azimuth when replacing worn heads. The setting you get is the same as if you use a 10KHz tone on a calibration tape.

Ferrite heads can never really be relapped but they do fail.

Ferrite heads aren’t relapped because its not worth it. Relapping a head only works out if you have a more expensive part and nearly all ferrite cassette heads are inexpensive.

A 16 track VHS deck would have been awesome to see.

Trust me on this? They weren’t that awesome. The typical ’studio’ machines had the transport built into the mixer. They were considered semi-pro; the recording industry didn’t take VHS and Beta all that seriously even though they were a compact multichannel format. Their main downfall is they simply weren’t reliable for day in and day out 24/7 service, and when Something Bad happened the tape was often locked inside the transport; requiring a complete disassembly just to rescue a tape that might never play again. Thank goodness those days are past!!

Ferrite heads aren’t relapped because its not worth it. Relapping a head only works out if you have a more expensive part and nearly all ferrite cassette heads are inexpensive.

For that reason I have an admitted bias against ferrite heads, because their tendency to shatter which happens to no other head type. Once that happens they are junk. Plus an extra 10dB of noise. I stick with metal heads for my recordings and archiving machines. So while it is true ferrite heads did last significantly longer when they were used, once they get enough usage the glass will crack and more times then not you are forced to replace the head. This is the kind of wear I’ve seen on many decks that used ferrite over the years. Doesn’t happen as much with cassettes because of the lower speed.

Trust me on this? They weren’t that awesome. The typical ’studio’ machines had the transport built into the mixer. They were considered semi-pro; the recording industry didn’t take VHS and Beta all that seriously even though they were a compact multichannel format. Their main downfall is they simply weren’t reliable for day in and day out 24/7 service, and when Something Bad happened the tape was often locked inside the transport; requiring a complete disassembly just to rescue a tape that might never play again. Thank goodness those days are past!!

You’re right it is a love hate relationship. The proof is in the pudding on the reliability of VHS. Good luck getting service on your VCR today. Good luck even attempting any repairs yourself. It is true they never manufactured a deck that was both high quality and reliable. Too bad they couldn’t make them as hardy as good old cassettes.

Funny enough I just purchased a Sony SVO 5800 with an old Betacam 2800 I’m going to be using for this kind of project. I’m going to attempt syncing the output of the Sony with the Betacam as a TBC. I’m posting in other VHS forums and this is going off topic, but it’s become a huge obsession of mine to find out how far I can take the format. I even purchased an ozone generator I use to clean my tapes. :)

Never read a thread with two cliches in the subject line.